David Wallace - Infinite jest
In outline, it eventually boiled down to this: a desperate Barry Loach — with Mrs. L. now on 25 mg. of daily Ativan[384] and just about camped out in front of the candle-lighting apse of the Loach’s parish church — Loach challenges his brother to let him prove somehow — risking his own time, Barry’s, and maybe safety somehow — that the basic human character wasn’t as unempathetic and necrotic as the brother’s present depressed condition was leading him to think. After a few suggestions and rejections of bets too way-out even for Barry Loach’s desperation, the brothers finally settle on a, like, experimental challenge. The spiritually despondent brother basically challenges Barry Loach to not shower or change clothes for a while and make himself look homeless and disreputable and louse-ridden and clearly in need of basic human charity, and to stand out in front of the Park Street T-station on the edge of the Boston Common, right alongside the rest of the downtown community’s lumpen dregs, who all usually stood there outside the T-station stemming change, and for Barry Loach to hold out his unclean hand and instead of stemming change simply ask passersby to touch him. Just to touch him. Viz. extend some basic human warmth and contact. And this Barry does. And does. Days go by. His own spiritually upbeat constitution starts taking blows to the solar plexus. It’s not clear whether the verminousness of his appearance had that much to do with it; it just turned out that standing there outside the station doors and holding out his hand and asking people to touch him ensured that just about the last thing any passerby in his right mind would want to do was touch him. It’s possible that the respectable citizenry with their bookbags and cellulars and dogs with little red sweater-vests thought that sticking one’s hand way out and crying ‘Touch me, just touch me, please’ was some kind of new stem-type argot for ‘Lay some change on me,’ because Barry Loach found himself hauling in a rather impressive daily total of $ — significantly more than he was earning at his work-study job wrapping ankles and sterilizing dental prostheses for Boston College lacrosse players. Citizens found his pitch apparently just touching enough to give him $; but B. Loach’s brother — who often stood there in collar less mufti up against the plastic jamb of the T-sta-tion’s exit, slouched and smirking and idly shuffling a deck of cards in his hands — was always quick to point out the spastic delicacy with which the patrons dropped change or $ into Barry Loach’s hand, these kind of bullwhip-motions or jagged in-and-outs like they were trying to get something hot off a burner, never touching him, and they rarely broke stride or even made eye-contact as they tossed alms B.L.’s way, much less ever getting their hand anywhere close to contact with B.L.’s disreputable hand. The brother not unreasonably nixed the accidental contact of one commuter who’d stumbled as he tried to toss a quarter and then let Barry break his fall, not to mention the bipolarly ill bag-lady who got Barry Loach in a headlock and tried to bite his ear off near the end of the third week of the Challenge. Barry L. refused to concede defeat and misanthropy, and the Challenge dragged on week after week, and the older brother got bored eventually and stopped coming and went back to his room and waited for the St. John’s Seminary administration to give him his walking papers, and Barry Loach had to take Incompletes in the semester’s Training courses, and got canned from his work-study job for not showing up, and he went through weeks and then months of personal spiritual crisis as passerby after passerby interpreted his appeal for contact as a request for cash and substituted abstract loose change for genuine fleshly contact; and some of the T-station’s other disreputable stem-artists became intrigued by Barry’s pitch — to say nothing of his net receipts — and started themselves to take up the cry of ‘Touch me, please, please, someone!’ which of course further compromised Barry Loach’s chances of getting some citizen to interpret his request literally and lay hands on him in a compassionate and human way; and Loach’s own soul began to sprout little fungal patches of necrotic rot, and his upbeat view of the so-called normal and respectable human race began to undergo dark revision; and when the other scuzzy and shunned stem-artists of the downtown district treated him as a compadre and spoke to him in a colle-gial way and offered him warming drinks from brown-bagged bottles he felt too disillusioned and coldly alone to be able to refuse, and thus started to fall in with the absolute silt at the very bottom of the metro Boston socio-economic duck-pond. And then what happened with the spiritually infirm older brother and whither he fared and what happened with his vocation never gets resolved in the E.T.A. Loach-story, because now the focus becomes all Loach and how he was close to forgetting — after all these months of revulsion from citizens and his getting any kind of nurturing or empathic treatment only from homeless and addicted stem-artists — what a shower or washing machine or a ligamental manipulation even were, much less career-ambitions or a basically upbeat view of indwelling human goodness, and in fact Barry Loach was dangerously close to disappearing forever into the fringes and dregs of metro Boston street life and spending his whole adult life homeless and louse-ridden and stemming in the Boston Common and drinking out of brown paper bags, when along toward the end of the ninth month of the Challenge, his appeal — and actually also the appeals of the other dozen or so cynical stem-artists right alongside Loach, all begging for one touch of a human hand and holding their hands out — when all these appeals were taken literally and responded to with a warm handshake — which only the more severely intoxicated stemmers didn’t recoil from the profferer of, plus Loach — by E.T.A.’s own Mario Incan-denza, who’d been sent dashing out from the Back Bay co-op where his father was filming something that involved actors dressed up as God and the Devil playing poker with Tarot cards for the soul of Cosgrove Watt, using subway tokens as the ante, and Mario’d been sent dashing out to get another roll of tokens from the nearest station, which because of a dumpster-fire near the entrance to the Arlington St. station turned out to be Park Street, and Mario, being alone and only fourteen and largely clueless about anti-stem defensive strategies outside T-stations, had had no one worldly or adult along with him there to explain to him why the request of men with outstretched hands for a simple handshake or High Five shouldn’t automatically be honored and granted, and Mario had extended his clawlike hand and touched and heartily shaken Loach’s own fuliginous hand, which led through a convoluted but kind of heartwarming and faith-reaffirming series of circumstances to B. Loach, even w/o an official B.A., being given an Asst. Trainer’s job at E.T.A., a job he was promoted from just months later when the then-Head Trainer suffered the terrible accident that resulted in all locks being taken off E.T.A. saunas’ doors and the saunas’ maximum temperature being hard-wired down to no more than 50 °C.
The inverted glass was the size of a cage or small jail cell, but it was still recognizably a bathroom-type tumbler, as if for gargling or post-brushing swishing, only huge and upside-down, on the floor, with him inside. The tumbler was like a prop or display; it was the sort of thing that would have to be made special. Its glass was green and its bottom over his head was pebbled and the light inside was the watery dancing green of extreme ocean depths.
There was a kind of louvered screen or vent high on one side of the glass, but no air was coming out. In. The air inside the huge glass was pretty clearly limited, as well, because there was already CO2 steam on the sides. The glass was too thick to break or to kick his way out, and it felt like he might have possibly broken the leg’s foot already trying.
There were some green and distorted faces through the glass’s side’s steam. The face at eye-level belonged to the latest Subject, the dexterous and adoring Swiss hand-model. She stood looking at him, her arms crossed, smoking, exhaling greenly through her nose, then looked down to confer with another face, seeming to float at about waist-level, that belonged to the shy and handicapped fan who O.’d realized had shared the Subject’s Swiss accent.
The Subject behind the glass would meet Orin’s eye steadily but did not acknowledge him or anything he shouted. When Orin had tried to kick his way out was when he’d recognized that the Subject was looking at his eyes rather than into them as previously. There were now smeared footprints on the glass.
Every few seconds Orin wiped the steam of his breath away from the thick glass to see what the faces were doing.
His foot really was hurt, and the remains of whatever had made him fall asleep so hard really were making him sick to his stomach, and in sum this experience was pretty clearly not one of his bad dreams, but Orin, #71, was in deep denial about its not being a dream. It was like the minute he’d come to and found himself inside a huge inverted tumbler he’d opted to figure: dream. The stilted amplified voice that came periodically through the small screen or vent above him, demanding to know Where Is The Master Buried, was surreal and bizarre and inexplicable enough to Orin to make him grateful: it was the sort of surreal disorienting nightmarish incomprehensible but vehement demand that often gets made in really bad dreams. Plus the bizarre anxiety of not being able to get the adoring Subject to acknowledge anything he said through the glass. When the speaker’s screen slid back, Orin looked away from the glass’s faces and up, figuring that they were going to do something even more surreal and vehement that would really nail down the undeniable dream-status of the whole experience.
Mile. Luria P-----, who disdained the subtler aspects of technical interviews and had lobbied simply to be given a pair of rubber gloves and two or three minutes alone with the Subject’s testicles (and who was not really Swiss), had predicted accurately what the Subject’s response would be when the speaker’s screen was withdrawn and the sewer roaches began pouring blackly and shinily through, and as the Subject splayed itself against the tumbler’s glass and pressed its face so flat against the absurd glass’s side that the face changed from green to stark white, and, much muffled, shrieked at them ‘Do it to her! Do it to her!’ Luria P-----inclined her head and rolled her eyes at the A.F.R. leader, whom she had long regarded as something of a ham.
Human beings came and went. An R.N. felt his forehead and yanked her hand back with a yelp. Somebody down the hall was jabbering and weeping. At one point Chandler F., the recently graduated nonstick-cookware salesman, seemed to be there in the classic resident-confiteor position, his chin on his hands on the bedside crib-railing. The room’s light was a glowing gray. The Ennet House House Manager was there, fingering the place her missing eyebrow’d been, trying to explain something about how Pat M. hadn’t come because she and Mr. M.’d had to kick Pat’s little girl out of the house for using something synthetic again, and was in a too shaky place spiritually to even leave home. Gately felt physically hotter than he’d ever felt. It felt like a sun in his head. The crib-type railings got tapered on top and writhed a little, like flames. He imagined himself on the House’s aluminum platter with an apple in his mouth, his skin glazed and crispy. The M.D. that looked age twelve appeared with others wreathed in mist and said Up it to 30 q 2 and Let’s Try Doris,[385] that the poor son of a bitch was burning down. He wasn’t talking to Gately. The M.D. was not addressing Don Gately. Gately’s only conscious concern was Asking For Help to refuse Demerol. He kept trying to say addict. He remembered being young on the playground and telling Maura Duffy to look down her shirt and spell attic. Somebody else said Ice Bath. Gately felt something rough and cool on his face. A voice that sounded like his own brain-voice with an echo said to never try and pull a weight that exceeds you. Gately figured he might die. It wasn’t calm and peaceful like alleged. It was more like trying to pull something heavier than you. He heard the late Gene Fackelmann saying to get a load of this. He was the object of much bedside industry. A brisk clink of I.V. bottles overhead. Slosh of bags. None of the overhead voices talking to him. His input unrequired. Part of him hoped they were putting Demerol in his I.V without him knowing. He gurgled and mooed, saying addict. Which was the truth, that he was, he knew. The Crocodile that liked to wear Hanes, Lenny, that at the podium liked to say ‘The truth will you set you free, but not until it’s done with you.’ The voice down the hall was weeping like its heart would break. He imagined the A.D.A. with his hat off earnestly praying Gately would live so he could send him to M.D.C.-Walpole. The harsh sound he heard up close was the tape around his unshaved mouth getting ripped off him so quick he hardly felt it. He tried to avoid projecting how his shoulder would feel if they started pounding on his chest like they pound on dying people’s chests. The intercom calmly dinged. He heard conversing people in the hall passing the open door and stopping for a second to look in, but still conversing. It occurred to him if he died everybody would still exist and go home and eat and X their wife and go to sleep. A conversing voice at the door laughed and told somebody else it was getting harder these days to tell the homosexuals from the people who beat up homosexuals. It was impossible to imagine a world without himself in it. He remembered two of his Beverly High teammates beating up a so-called homosexual kid while Gately walked away, wanting no part of either side. Disgusted by both sides of the conflict. He imagined having to become a homosexual in Walpole. He imagined going to one meeting a week and having a shepherd’s crook and parrot and playing cribbage for a cigarette a point and lying on his side in his bunk in his cell facing the wall, jacking off to the memory of tits. He saw the A.D.A. with his head bowed and his hat against his chest.
Somebody overhead asked somebody else if they were ready, and somebody commented on the size of Gately’s head and gripped Gately’s head, and then he felt an upward movement deep inside that was so personal and horrible he woke up. Only one of his eyes would open because the floor’s impact had shut the other one up plump and tight as a sausage. His whole front side of him was cold from lying on the wet floor. Fackelmann around somewhere behind him was mumbling something that consisted totally of g’s.
His open eye could see the luxury apt. window. It was dawn outside, a glowing gray, and birds had plenty to say out in the bare trees; and at the big window was a face and a windmill of arms. Gately tried to adjust the vertical hold on his vision. Pamela Hoffman-Jeep was at the window. Their apt. was on the second floor of the luxury complex. She was up in a tree right outside the window, standing on a branch, looking in, either gesturing wildly or trying to keep her balance. Gately felt a rush of concern about her falling out of the tree and was preparing to ask the floor to maybe please relax its hold a second and let him go when P.H.-J.’s face suddenly fell and exited the bottom of the window and was replaced by the face of Bobby (‘C’) C. Bobby C raised a slow two-finger salute to his temple in an impassively mocking Hello as he scanned the evidence of serious bingeing in the room, through the window. Eyeballing Mt. Dilaudid with special attention, nodding down to somebody down under the tree. He edged forward on the branch until he was right up flush with the window and pushed up on its frame with one hand, trying to open the locked window. The rising sun behind him cast a shadow of his head against the wet floor. Gately called out to Fackelmann and tried to roll and sit up. His bones felt full of busted glass. Bobby C held up a six-pack of Hefenreffer and waggled it suggestively, like wanting in. Gately had just managed to sit partly up when C’s fist in its fingerless glove came through the window, spraying double-pane glass. The fallen TP screen continued to show shots of small flames, Gately could see. C’s arm came through and groped for the latch and raised the window. Fackelmann was bleating like a sheep but not moving; a syringe he hadn’t bothered with removing hung from the inside of his elbow. Gately saw Bobby C had glass in his purple hair and a vintage Taurus-PT 9 mm. jammed into his spike-studded belt. Gately sat there dumbly as C clambered on in and kind of tiptoed through the various puddles and rolled Fackelmann’s head back to check his pupils. C clucked his tongue and let Fackelmann’s head fall back against the wall, Fax still softly bleating. He turned smartly on his boot’s heel and started across toward the apartment door, and Gately sat there looking at him. When he got to where Gately was sitting on the floor with his wet legs curved parenthesized out in front of him like some sort of huge pre-verbal rug-rat C stopped as if to say something he’d just remembered, looking down at Gately, his smile wide and warm, and Gately noticed he had a black front tooth just as C caught him over the ear with the Taurus-PT and put him back down. The floor got the back of Gately’s head worse than the gun-butt did. His ears belled. It wasn’t stars he saw. Then Bobby C kicked Gately in the balls, S.O.P. to keep your man down, and Gately drew his knees up and turned his head and was sick out onto the floor. He heard the apartment door opening and the leisurely sound of C’s boots going down the stairs to the complex’s door. Between spasms, Gately urged Fackelmann to go for the window as rickety-tick as he could. Fack-elmann was slumped back against the wall; he was looking at his legs and saying he couldn’t feel his legs, that he was numb from the scalp on down and climbing.
