Peake, Mervyn - 02 Gormenghast
The long courtyard where the ceremony was to be held had been scrubbed and double scrubbed. The clanking of buckets, the swilling and hissing of water, the sound of scouring had echoed along the attenuate yard, sunrise after sunrise, for a week past. The high southern wall in particular was immaculate. The scaffolding to which the scrubbers had clung like monkeys while they ferreted among the rough stones, scraping at the interstices and sluicing every vestige of accumulated dust from niche and crack, had been removed. It sailed away, this wall, in a dwindling perspective of gleaming stone - and five feet from the ground along its entire length the Carvers' shelf protruded. The solid shelf or buttress was of so handsome a breadth that even the largest of the coloured carvings stood comfortably upon it. It had already been whitewashed in preparation for the great day, as had also the wall above it, to the height of a dozen feet. What plants and creepers had forced their way through the stones during the past year, were cut down, as usual, flush with the stones.
It was into this courtyard so unnaturally lustrated that the Carvers from the Outer Dwellings were to pour like a dark and ragged tide, bearing their heavy wooden carvings in their arms or upon their shoulders, or when the works were too weighty for a man to sustain he would be aided by his family - the children running alongside, barefooted, their black hair in their eyes their shrill excited voices jabbing the heavy air as though with stilettos.
For the air was full of an oppressive weight. What breath there was moved hotly on its way as though it were fanned by the mouldering wings of huge and sickly birds.
The Steerpike terror had been still further intensified by these stifling conditions, and the ceremony of the Bright Carvings was for this reason all the more eagerly anticipated, for it was a relief for the mind and spirit to be able to turn to something the only purpose of which was beauty.
But, for all the consummate craft and rhythmic loveliness of the carvings there was no love lost between their jealous authors. The inter-family rivalries, the ancient wrongs, a hundred bitter quarrels, were all remembered at this annual ceremony. Old wounds were reopened or kept green. Beauty and bitterness existed side by side. Old claw-like hands, cracked with long years of thankless toil, would hold aloft a delicate bird of wood, its wings, as thin as paper, spread for flight, its breast afire with a crimson stain.
On the penultimate evening all was ready. The Poet, now fully established as Master of Ritual, had made his final tour of inspection with the Countess. On the following morning the gates in the Outer Wall were opened and the Bright Carvers began the three miles trail to the Carver's Courtyard.
From then onwards the day blossomed like a rose, with its hundred blooms and its thousand thorns. Grey Gormenghast became blood-shot, became glutted with gold, became chill with blues as various as the blue of the flowers, and the waters became stained with evergreen from the softest olive to veridian, became rich with all the ochres; flamed and smouldered, shuddered with the hues of earth and air.
And holding these solid figures in their arms were the dark and irritable mendicants. By afternoon the long stone shelf had been loaded with its coloured forms, its birds, its beasts, its fantasies, its giant grasshoppers, its reptiles and its rhythms of leaf and flower; its hundred heads that turned upon their necks, that dropped or were raised more proudly from the shoulders than any living head of flesh and blood.
There they stood in a long burning line with their shadows behind them on the southern wall. From all these carvings three were to be chosen as the most original and perfect and these three would be added to those that were displayed in the unfrequented Hall of the Bright Carvings. The rest were to be burned that same evening.
The judging was a long and scrupulous affair. The carvers would eye the judges from a distance as they squatted about the courtyard in families, or leaned against the opposite wall. Hour after hour the fateful business proceeded - the only sound being the shouting and crying of the scores of urchins. At about six o'clock the long tables were carried out by the castle servants and placed end to end in three long lines. These tables were then loaded with loaves, and bowls of thick soup.
When dusk began to fall the judging was all but completed. The sky had become overcast and an unusual darkness brooded over the scene. The air had become intolerably close. The children had ceased to run about, although in other years they had sported tirelessly until midnight. But now they sat near their mothers in a formidable silence. To lift an arm was to become tired and to sweat profusely. Many faces were turned to the sky where a world of cloud was gathering together its gloomy continents, tier behind tier like the foliage of some fabulous cedar.
As a minor Titus was not directly involved in the actual choice of the 'Three', but his technical approval had to be obtained when the decisions were finally made. He had wandered restlessly up and down the line of the exhibits, threading his way through the crowds, which parted deferentially at his approach. The weight of the iron chain about his neck and the stone that was strapped to his forehead became almost too much to bear. He had seen Fuchsia but had lost her again in the crowds.
'There's going to be an almighty storm, my boy,' said a voice at his shoulder.
'By all that's torrential, there most certainly is!'
It was Prunesquallor.
'Feels like it, Doctor Prune,' said Titus.
'And looks like it, my young stalker of felons!'
Titus turned his gaze to the sky. It seemed to have gone mad. It bulged and shifted itself as though it were not moved by any breeze or current of the air, but only through its own foul impulses.
It was a foul sky, and it was growing. It was accumulating filth from the hot slums of hell. Titus turned his eyes from its indescribable menace and faced the doctor again. His face was gleaming with sweat. 'Have you seen Fuchsia?' he said.
'I saw her,' answered Titus. 'But I lost her again. She is somewhere here.'
The Doctor lifted his head high and stared about him, his Adam's apple very angular, his teeth flashing, but in a smile that Titus could see was empty. 'I wish you would see her, Doctor Prune... she looks awful, suddenly.'
'I will certainly see her, Titus, and as soon as I can.'
At that moment a messenger approached. Titus was wanted by the judges. 'Away with you,' cried the doctor in this new voice that had lost its ring. 'Away with you, young fellow!'
'Good-bye, doctor.'
SIXTY-FOUR
That night, upon the balcony, his mother sat upon his right hand like an enormous stranger, and the Poet upon his left, an alien figure. Below him was a vast field of upturned faces. Away ahead of him and far beyond the reach of the great bonfire's radiance the Mountain was just visible against the dark sky.
The moment was approaching when he must call for the three successful carvers to come forward and for him to draw up the carvings from below with a cord and to place them in full sight of the crowd.
The flames of the bonfire around which the multitude was congregated streamed up into the sky. Its insatiable heat had already reduced a hundred dreams to ashes.
As he watched, a glorious tiger, its snarling head bent back along its spine, and its four feet close together beneath its belly, was flung through the air, by one of the twelve hereditary 'vandals'. The flames appeared to flick out their arms to receive it, and then they curled about it and began to eat.
His longing to escape came upon him with a sudden and elemental force. He hated this gross wastage that was going on below him. The heat of the evening made him sick. The nearness of his mother and of the abstracted Poet disquieted him. His eyes moved to Gormenghast Mountain. What lay beyond? Was there another land...? Another world? Another kind of life?
If he should leave the castle! The very notion of it made him shake with a mixture of fear and excitement. His thought was so revolutionary that he glanced at his mother's back to see whether she had heard his mind at work.
If he should leave Gormenghast? He was unable to hazard a guess as to what such a thought implied. He knew of no other place. He had thought before, of Escape. Escape as an abstract idea. But he had never thought seriously of where he would escape to, or of how he would live in some place where he would be unknown.
And a seditious fear that he was in reality of no consequence came over him.
That Gormenghast was of no consequence and that to be an earl and the son of Sepulchrave, a direct descendant of the blood line - was something of only local interest. The idea was appalling.
He raised his head and gazed across the thousands of faces below him. He nodded his head in a kind of pompous approval as yet another carving was tossed into the great bonfire. He counted a score of towers to his left. 'All mine...' he said, but the words sounded emptily in his head when suddenly something happened which blew his terror and his hope sky-high, which filled him with a joy too huge for him to contain, which took him and shook him out of his indecisions, and swept him into a land of hectic and cruel brilliance, of black glades, and of a magic insupportable.
For, as he was watching, something happened with great rapidity. A coal black raven, its head cocked, its every feather exquisitely chiselled, its claws gripping a wrinkled branch was about to be thrown into the flames when, as Titus watched, in a half-dream, a ripple in the silent, heat-heavy crowd, showed where a single figure was threading its way with an unusual speed. The hereditary 'vandal' had hold of the wooden raven by its head and swung back his hand. The bonfire leapt and crackled and lit his face. The arm came forward; the fingers loosed their grip; that raven sailed up in the air, turning over and over and began to fall towards the fire when, as unforeseen and rapid as the course of a dream, there leapt from the body of the fire-lit crowds something that, with a mixture of grace and savagery quite indescribable, snatched at the height of its leap the raven from the air, and holding it above its head continued without a pause or break in the superb rhythm of its flight, and apparently floating over an ivy-covered wall disappeared into the night. For more than a minute there was no movement at all. A dreadful embarrassment held the witnesses immobile as though with a vice. The individual shock that each sustained was heightened by the stunned condition of the mass. Something unthinkable had been done, something so flagrant that the anger that was so soon to show itself was for the moment held back as though by a wall of embarrassment.
Such violation of a hallowed ceremony was unprecedented.
The Countess was one of the first to stir. For the first time since Steerpike's escape she was moved by a tremendous anger that had no connexion with the skewbald rebel. She rose to her feet and with her big hands gripping the balustrade stared into the night. The congested clouds hung with a terrible nearness and an increasing weight. The air sweated. The crowds began to mutter and to move like bees in a hive. Isolated cries of rage from below the balcony sounded close, raw and horrible.
What was the death of a few hierophants at Steerpike's hand compared with the stabbing of the castle's very heart. The heart of Gormenghast was not its garrison - its transient denizens, but that invisible thing that had been wounded in their sight. As the cries rose and the swollen clouds pressed down, Titus, the last to move, turned his eyes to his mother's with a sidelong sweep. Sick with excitement he rose gradually to his feet.
He alone, of all who had been so fundamentally affected by the profane insult to tradition, was affected for a reason of his own. The shock he had suffered was unique. He had not been drawn into the maelstrom of the general shock. He was alone in his unique excitement. At the first sight of that mercurial creature he was transported in a flash to an earlier day, a day which he had no longer believed in, and had relegated to the world of dreams: to a day when among the spectral oakwoods he had seen, or had thought he had seen, an air-borne figure with its small head turned away. It was so long ago. It had become no more than a fume of his mind - a vapour.
But it was she. There was no doubting that it had all been true. He had seen her before, when lost among the oakwood she had floated past like a leaf. And now again! Taller, of course, as he was taller. But no less fleet, no less uncanny.
He remembered how the momentary sight of her had awakened in him an awareness of liberty. But now! How much more so! The heat was terrible in the air, but his spine was icy with excitement.
He looked about him again, with an air of cunning quite out of character.
Everything was as it was. His mother was still beside him, her big hands on the balustrade. The bonfire roared and spat red embers into the dark and stifling air. Someone in the crowd was shouting, ''The Thing! The Thing!'' and another voice with dreadful regularity cried 'Stone her! stone her!' But Titus heard nothing of this. Moving gradually backwards step by step, he turned at last and in a few quick paces was in the room behind the balcony.
Then he began to run, his every step a crime. Through midnight corridors in anyone of which the skewbald Steerpike might well have been lurking, he sped. His jaw ached with fear and excitement. His clothes stuck to his back and thighs. Turning and turning, sometimes losing himself, and sometimes colliding with the rough walls, he came at last to a flight of broad shallow steps that ran out into the open. A mile away to his right the light of the bonfire was reflected on the bulging clouds that hung above it like the ghostly bolsters of some beldam's bed.
Ahead of him, Gormenghast Mountain and the widespread slopes of Gormenghast forest were hidden from his vision in the night, but he ran to them as a migratory bird flies blindly through the darkness to the country that it needs.
SIXTY-FIVE
His sense of supreme disobedience, rather than retarding his progress through the night, gave it impetus. He could feel the angry breath of retribution on the nape of his neck as he stumbled on. There was yet time for him to return but in spite of his hammering heart it never occurred to him to do so. He was propelled forward by his imagination having been stirred to its depths by the sight of her. He had not seen her face. He had not heard her speak. But that which over the years had become a fantasy, a fantasy of dreaming trees and moss, of golden acorns and a sprig in flight, was fantasy no longer. It was here. It was now. He was running through heat and darkness towards it; to the verity of it all.
