Peake, Mervyn - 02 Gormenghast
It was true that he had only seen her from a distance and it is possible that the distance lent an enchantment self-engendered. No doubt, his sight was not as sharp as it used to be - and the fact that he could not remember having seen any other woman for many years gave Irma a flying start.
But he had obtained a general picture, as he peered through a narrow chasm of light that shone between Throd's and Spiregrain's bodies.
And he had seen how proudly she held herself. Stiff as a soldier, and yet how feminine! That is what he would like to have about him in the evening. A stately type. He could imagine her, sitting bolt upright, at his side, her face twitching a little from gentle breeding, her snow-white hands darning away at his socks while he pondered on this and that, turning his eyes from time to time to see whether it was really true, that she was really there, his wife, his wife, on the chocolate-coloured couch.
And then suddenly he had found himself alone. The big face was peering for him from the door. 'Name?' it whispered hoarsely, for its voice was almost gone.
'I'm the headmaster, you idiot,' barked Bellgrove. He was in no mood for fools. Something was in his blood. Whether it was love or not he must find out soon. There was an impatient streak in him - and this was no moment in which to suffer the man gladly.
The creature with the big face, seeing that Bellgrove was the last to be announced, took a deep breath and to get rid of his pent-up irritability (for he was an hour late for his appointment with a blacksmith's wife) gathered all the forces of his throat together and yelled - but his voice collapsed after the first syllable and only Bellgrove heard the guttering sound that was intended for 'master'.
But there was something rather fine, rather impressive in the abbreviation. Something less formal, it is true, but more penetrating in the first simple syllable.
'The Head -!'
The short hammer blow of the monosyllable reverberated along the room like a challenge.
It struck like a drumstick on the membranes of Irma's ear and Bellgrove, peering forward as he took his first paces into the room, had the impression of his hostess rearing herself up on her hips, tossing her head before it froze into a motionless carving.
His heart, that was already beating wildly, had leapt at the sight. Her attention was riveted upon him. Of that there was no doubt. Not only her attention, but the attention of all those present. He became aware of a lethal hush. Soft as the carpet was, his feet could be heard as they lowered themselves one after another into the grey-green of the pile.
For a moment, as he moved with that fantastic solemnity which the urchins of Gormenghast were so fond of mimicking, he gave his eyes the run of his staff. There they stood, three deep, a solid wine-red phalanx that completely obscured the side-tables. Yes, he could see Perch-Prism, his eyebrows raised, and Opus Fluke with his horse's mouth half open in a grin so inane that for a moment it was difficult for Bellgrove to regain that composure necessary to the advancement of his immediate interests. So they were waiting to see in what way he would try to evade the 'predatory' Irma, were they? So they expected him to back away from her immediately after he had received his formal reception, did they? So they looked for an evening of hide and seek between their hostess and their headmaster, the low curs! By the light of a militant heaven, he would show the dogs! He would show them. And, by the powers, he would surprise them too.
By now he was about half way along the carpet, already trodden into a recognizable highway, the pile of the carpet throwing out a greener sheen than elsewhere, the pile pressed forward by a hundred feet.
Irma, her eyes weak with peering, could just see him. As he approached and the blurred edges of his swan white gown, and the contours of his leonine head, grew sharper, she marvelled at his god-like quality. She had received so many half-men that she had tired, not of numbers, but of waiting for the kind of male she could reverence. There had been the perky ones, and the stolid ones and the sharp ones and the blunt ones - all males she supposed, but although she had a few of them at the back of her mind for further consideration, yet she had been sadly disappointed. There had been that irritating bachelor quality about them, a kind of dead self-sufficiency, a terrible thing in a man, who is, as every woman knows, a mere tag-end of a thing before the distaff side has stitched him together.
But here was something different. Something old it is true, but something noble. She manoeuvred with her mouth. It had had a good deal of practice by this time and the smile she prepared for Bellgrove reflected to a great extent what she had in mind for it. Above all, it was winsome, devastatingly winsome. For a pretty face to be winsome is normal enough and very winsome it can be, but it is a tepid thing, a negative thing compared with the winsomeness to which Irma could subject her features. With her it was as startling as any foreground symbol set against an incongruous background. Irma's weak and eager eyes, Irma's pinnacle of a nose, Irma's length of powdered face; these were the incongruous background on which the smile deployed its artful self. She played with it for a moment or two, as an angler with a fish, and then she let it set like concrete.
Her body had simultaneously rhythmed itself into a stance both statuesque and snake-like, her thorax, amplified with its hot-water bottle bosom, positioned in air so far to the left of her pelvis as to have no visible means of support. Her snow-white hands were clasped at her throat where her jewellery sparkled.
Bellgrove was almost upon her. 'This,' he said to himself, breathing deeply, 'is one of those moments in a man's life when valour is tested.'
The years ahead hung on his every move. His staff had shaken hands with her as though a woman was merely another kind of man. Fools! The seeds of Eve were in this radiant creature. The lullabyes of half a million years throbbed in her throat. Had they no sense of wonder, no reverence, no pride? He, an old man (but a not unhandsome one), would show the dogs the way of it - and there she was, before him, the maddeningly feminine bouquet of her pineapple perfume swimming about his head. He inhaled. He trembled, and then, lion-like, he tossed his venerable mane from his eyes, and raising his shoulders as he took her hand in his, he bowed his head above their milky limpness and planted in the damp of her palms, the first two kisses he had given for over fifty years.
To say that the frozen silence contracted itself into a yet higher globe of ice were to under-rate the exquisite tension and to shroud it in words. The atmosphere had become a physical sensation. As when, before a masterpiece, the acid throat contracts, and words are millstones, so when the supernaturally outlandish happens and a masterpiece is launched through the medium of human gesture, then all human volition is withered at the source and the heart of action stops beating.
Such a moment was this. Irma, a stalagmite of crimson stone, knew, for all the riot of her veins that a page had turned over. At chapter forty? O no! At chapter one, for she had never lived before save in a pulseless preface.
How long did they remain thus? How many times had the earth moved round the sun? How many times had the great blue whales of the northern waters risen to spurt their fountains at the sky? How many reed-bucks had fallen to the claws of how many leopards, while that sublime unit of two-figure statuary remained motionless? It is fruitless to ask. The clocks of the world stood still or should have done.
But at last the arctic stillness broke. A professor at the side tables gave forth a sharp scream, whether of laughter or nerves was never established.
The Doctor glanced across at the wine red gowns, his eyebrows raised, his teeth glinting. There were a few beads of moisture on his forehead. He was going through a lot.
Irma had not consciously heard the sharp cry of laughter nor knew what had broken her from a trance, but she found herself inclining her head graciously above the white locks of the headmaster's reverential poll.
This was 'it'. Something within her was laughing wildly, like cowbells.
It was a pity that the headmaster could not appreciate the amplitude of her graciousness as she hung above him – but, there it was - she couldn't have it both ways - but wait - what was this?
O sweetest mercy! And the wild thorn-throbs of it! What was he doing, the great, gentle, august, brilliant lion? He was raising his eyes to hers with his lips still pressed against her fingers. It was as though he had divined her most secret thoughts.
She lowered her lids and found that his dead-pebble eyes were upon hers.
With their gaze directed upwards and through the white tangle of the eyebrows they appeared to be caged.
She knew the moment to be enormous - enormous in its implications - in its future - but she knew also as a woman that she must draw her hand away. As the first suspicion of a movement crept through her flaccid fingers, Bellgrove lifted his head, withdrew his big hands from hers and at that moment Irma's bosom began to slip. In the complex arrangement of strings, safety pins and tape which held the hot water bottle in place. Time had found a weakness.
But Irma, tingling with excitement, was in so elevated a frame of body and mind that, beyond her capacity as it were, her brain was planning for her in advance, those things she should do, and say, in or out of any emergency. And this was one of those moments when the cells of Irma's brain marched in solid ranks to her rescue.
Her bosom was slipping. She clasped her hands together at her throat so that her forearms might keep the hot water bottle in place, and then with every eye upon her she lifted her head high and began to pace towards the doorway at the far end of the salon. She had not even glanced at her brother, but with a quite overweening confidence had started away, the folds of her evening gown trailing behind her.
The bottle had become horribly cold across her chest. But she revelled in its cruel temperature. Why should she care about such little things? Something on an altogether vaster scale was bearing her on its flood.
The barb had struck. She was naked. She was proud. Had love's arrow not been metaphorical she would have held it high in the air for all to see. And all this she was making plain, by the very movement of her pacing body, and by the volcanic blush which had turned her marmoreal head into something that might have been found among the blood-red ruins of some remote civilization.
Her jewellery took on another tint. Her blush burned through it.
But her expression bore no relation to the blush. It was strangely articulate, and thus, frighteningly simple.
There was no need for words. Her face was saying, 'I am in his power; he has awakened me; I, a mere woman, have been blasted into sentience. Whatever the future holds it will not be through me that love goes hungry. I am aware; not only that history is being made, but of my duty, even at this pinnacled moment, and so, I am leaving the room, to re-adjust myself - to compose myself, and to bring back into the salon the kind of woman that the headmaster may admire - no quivering lovestruck damsel, but a dame in all the high sensuousness of her sex, a dame. composed and glorious!'
Irma, directly she had reached the door and had swept out into the hall, flew, a silken spinster, up the flight of stairs to her room. Slamming the door behind her she gave vent to the primeval jungle in her veins and screamed like a macaw, and then, prancing forward towards the bed, tripped over a small embroidered foot-stool and fell spreadeagled across the carpet.
What did it matter? What did anything ridiculous or shaming matter so long as 'he' was not there to see it?
THIRTY - FIVE
There are times when the emotions are so clamorous and the rational working of the mind so perfunctory that there is no telling where the actual leaves off and the images of fantasy begin.
Irma, in her room, could picture Bellgrove at her side as though he were there, but she could also see clean through him, so that his body was pranked with the pattern of the wallpaper beyond. She could see a great host of professors, thousands of them, and all the size of hatpins. They stood upon her bed, a massed and solemn congregation and bowed to her; but she also saw that her pillow-slip needed changing. She looked out of the window, her eyes wide and un-focused. The moonlight lay in a haze upon the high foliage of an elm, and the elm became Mr Bellgrove again with his distinguished and lordly mane. She saw a figure, no doubt some figment, as it slid over the wall of her grotto'd garden and ran like a shadow to beneath the window of the dispensary. Far away at the back of her mind, there was something that said 'you have seen that movement before; crouching, rapid movement' - yet she had, in her transport, no clue as to what was real and what was fantasy.
And so, when she saw a figure steal across the garden below her she had no conception that it was a real, breathing creature, far less that it was Steerpike. The young man who had forced open the window in the room below that in which Irma was standing moonstruck, had, by the light of a candle, wasted no time in finding the drug for which he was looking. The bottles on the packed shelves shone blue and crimson and deadly green as the small flame moved. Within a few moments he had decanted a few thimblefuls of a sluggish liquid into the flask he carried, and returned the doctor's bottle to the shelf. He corked his own container and within a moment was half-way out of the window.
Above the walls of the garden the upper massives of Gormenghast castle shone in the baleful moonlight. As he paused for a moment before dropping from the window-sill to the ground, he shuddered. The night was warm and there was no cause to shudder save that a twinge of joy, of dark joy can shake the body, when a man is alone, under the moon, on a secret mission, with hunger in his heart and ice in his brain.
THIRTY-SIX
When Irma returned to her guests she paused before she opened the doors of the salon, for a loud and confused noise came from within. It was of a kind that she had never heard before, so happy it was, so multitudinous, so abandoned - the sound of voices at play. She had, of course, in her small way, at gatherings, heard, from time to time, the play of many voices. But what she was hearing now was 'not' the play of voices; it was voices at play; and as such it was novel and peculiar to her ears, in the way that shadow at play (as against the play of shadows) would have been to her eyes. She had, on rare occasions, enjoyed the play of her brother's brain - but in her salon there was something very different going on and from the few remarks that she could distinguish through the panels of the door it was obvious that here there was no play of language, no play of thought, but language playing on its own; enfranchised notions playing by themselves, the truants of the brain.
