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Творение. История искусства с самого начала - Стонард Джон-Пол

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Meiss M. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries. 2 vols. New York, 1974.

Murray S. Notre-Dame, Cathedral of Amiens: The Power of Change in Gothic. Cambridge, 1996.

Petzold A. Romanesque Art. London, 1995.

Rudolph C. The ‘Things of Greater Importance’: Bernard of Clairvaux’s ‘Apologia’ and the Medieval Attitude toward Art. Philadelphia, PA, 1990.

Sauerlander W. Gothic Sculpture in France, 1140–1270. London, 1972.

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Глава 13. Путники в тумане

Binyon L. Painting in the Far East. London, 1934.

Bush S. Theories of the Arts in China. Princeton, NJ, 1983.

Bush S., Shih H. Early Chinese Texts on Painting. Cambridge, MA, 1985.

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Cahill J. Hills beyond a River: Chinese Painting of the Yuan Dynasty, 1279–1368. New York; Tokyo, 1976.

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Clunas C. Chinese Painting and its Audiences. Princeton, NJ, 2017.

Clunas C. Elegant Debts: The Social Art of Wen Zhengming, 1470–1559. London, 2004.

Clunas C. Pictures and Visuality in Early Modern China. Princeton, NJ, 1997.

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Fong W., Watt J. Possessing the Past: Treasures from the National Palace Museum, Taipei. New York, 1996.

Gu Kaizhi and the Admonitions Scroll / ed. S. McCausland. London, 2003.

Loehr M. The Great Painters of China. Oxford, 1980.

Medley M. The Chinese Potter: A Practical History of Chinese Ceramics. Oxford, 1976.

Rowley G. Principles of Chinese Painting. Princeton, NJ, 1947.

Silbergeld J. Chinese Painting Style: Media, Methods and Principles of Form. Seattle, WA, London, 1982.

Siren O. The Chinese on the Art of Painting. Beijing, 1936.

Stuart J. The Admonitions Scroll, British Museum Objects in Focus. London, 2014.

Sullivan M. Symbols of Eternity: The Art of Landscape Painting in China. Oxford, 1979.

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Wen F. Beyond Representation: Chinese Painting and Calligraphy 8th–14th Century. New Haven, CT; London, 1992.

Глава 14. Завороженные

Akiyama A. Shinto and its Architecture. Kyoto, 1936.

Akiyoshi W., Hiroshi K., Varley P. Of Water and Ink: Muromachi-Period Paintings from Japan, 1392–1568. Detroit, MI, 1986.

Awakawa Y. Zen Painting / trans. J. Bester. New York, 1970.

Bownas G., Thwaite A. The Penguin Book of Japanese Poetry [1964]. Harmondsworth, 1998.

Flowering in the Shadows: Women in the History of Chinese and Japanese Painting / ed. M. Weidner. Honolulu, HA, 1990.

Gregory L., Lippit Y. Awakenings: Zen Figure Painting in Medieval Japan. New York, 2007.

Lippit Y. Japanese Zen Buddhism and the Impossible Painting. Los Angeles, CA, 2017.

McCormick M. The Tales of Genji: A Visual Companion. Princeton, NJ, 2018.

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Shinto: The Ancient Art of Japan. Exh. cat., British Museum, London / ed. V. Harris. London, 2000.

Soper A. C. The Evolution of Buddhist Architecture in Japan. Princeton, NJ, 1942.

Stanley-Baker J. Japanese Art. London, 1984.

The Great Age of Japanese Buddhist Sculpture AD 600–1300. Exh. cat. Kimbell Art Museum, Fort Worth / ed. N. Kyōtarō, E. J. Sano. Fort Worth, TX, 1982.

Yashiro Y. Two Thousand Years of Japanese Art. London, 1958.

Глава 15. Новая жизнь

Гинзбург К. Загадка Пьеро / пер. М. Велижева. М., 2019.

Berenson B. A Sienese Painter of the Franciscan Legend. London, 1910.

Berenson B. The Central Italian Painters of the Renaissance. London, 1909.

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Christiansen K. Gentile da Fabriano. London, 1982.

Clark K. Piero della Francesca. London, 1951.

Hills P. The Light of Early Italian Painting. New Haven, CT; London, 1987.

Hyman T. Sienese Painting: The Art of a City-Republic, 1278–1477. London, 2003.

Lavin M. A. Piero della Francesca: The Flagellation. London, 1972.

Lubbock J. Storytelling in Christian Art from Giotto to Donatello. New Haven, CT; London, 2006.

Maginnis H. B. J. Painting in the Age of Giotto. University Park, PA, 1997.

Martindale A. Simone Martini. Oxford, 1987.

Mommsen T. E. Petrarch’s Testament. Ithaca, NY, 1957.

Moskowitz A. F. Italian Gothic Sculpture c.1250–c.1400. Cambridge, 2001.

Painting in Renaissance Siena, 1420–1500. Exh. cat., Metropolitan Museum of Art, New York / eds. K. Christiansen, L. B. Kanter, C. B. Strehlke, New York, 1988.

Pope-Hennessy J. Italian Gothic Sculpture. London, 1986.

Pope-Hennessy J. Paradiso: The Illuminations to Dante’s ‘Divine Comedy’ by Giovanni di Paolo. London, 1993.

Richards J. Altichiero: An Artist and His Patrons in the Italian Trecento. Cambridge, 2000.

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The Renaissance Philosophy of Man / eds. E. Cassirer et al. Chicago, IL, 1948.

Глава 16. Упорядочение взгляда

Альберти Л. Б. Три книги о живописи / пер. А. Габричевского // Десять книг о зодчестве. М., 1937.

Вазари Д. Жизнеописания наиболее знаменитых живописцев, ваятелей и зодчих / пер. А. Габричевского, А. Венедиктова. М., 2008.

Andrea Mantegna. Exh. cat., Royal Academy, London / ed. J. Martineau. London, 1992.

Belting H. Florence and Baghdad: Renaissance Art and Arab Science / trans. D. L. Schneider. Cambridge, MA, 2011.

Berenson B. Italian Painters of the Renaissance. New York, 1952.

Blunt A. Artistic Theory in Italy, 1450–1600. Oxford, 1962.

Giotto to Dürer: Early Renaissance Painting in the National Gallery / eds. J. Dunkerton. London, 1991.

Krautheimer R. Lorenzo Ghiberti. Princeton, NJ, 1970.

Kristeller P. O. Renaissance Thought and the Arts. Princeton, NJ, 1980.

Manetti A. The Life of Brunelleschi / trans. C. Engass. London, 1970.

Mantegna & Bellini. Exh. cat., National Gallery, London / ed. C. Campbell. London, 2018.

Martindale A. The Triumphs of Caesar by Andrea Mantegna in the Collection of Her Majesty the Queen at Hampton Court. London, 1979.

Paoletti J. T., Radke G. M. Art in Renaissance Italy. London, 1997.

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