John Steinbeck - Once there was a war
Jerry is like the weather to him. He complains about it and then promptly goes about what he was doing. Nothing in the world is as important as his garden and, in other days, his lobster pots. Weather and Jerry are alike in that they are inconvenient and sometimes make messes. Surveying a building wrecked by a big shell, he says, “Jerry was bad last night,” as he would discuss a windstorm.
It goes like this—on the Calais hill there is a flash in the night. Immediately from Dover the sirens give the shelling warning. From the flash you must count approximately fifty-nine seconds before the explosion. The shell may land almost anywhere. There is a flat blast that rockets back from the cliffs, a cloud of debris rising into the air. People look at their watches. The next one will be in twenty minutes. And at exactly that time there is another flash from the French coast, and you count seconds again. This goes on sometimes all night. One hour after the last shell the all-clear sounds. This does not mean that it is over. Jerry sometimes lobs another one in, hoping to kill a few more people.
In the morning there are wrecked houses; the dead have been dug out. A little band of men are cleaning the debris out of the street so that traffic may go by. A policeman keeps the people from coming too close for fear a brick may fall. That house is probably wrecked and will be unlivable until the war is over, but the houses all about are hurt. The windows are all blown out, and there will be no glass until after the war, either. The people are already sticking paper over the broken windows. Plaster has fallen in the houses all about. A general house cleaning is in progress. Puffs of swept plaster come out the doors. Women are on their knees, with pails of water, washing the floors. The blast of a near shell cleans the chimneys, they say. The puff of the explosion blows the soot out of the chimney and into the rooms.
There is that to clean up, too. In a front yard a man is standing in his garden. A flying piece of scantling has broken off a rose bush. The bud, which was about to open, is wilting on the ground. The man leans down and picks up the bud. He feels it with his fingers and carries it to his nose and smells it. He lifts the scantling from the trunk and looks at it to see whether it may not send out new shoots, and then, standing up, he turns and looks at the French coast, where five hundred men and a great tube of steel and high explosive and charts and plans, mathematical formulae, uniforms, telephones, shouted orders, are out to break a man’s rose bush. A neighbor passes in the street.
“The Boche was bloody bad last night,” he says. “Broke the yellow one proper,” he says. “And it was just coming on to bloom.”
“Ah, well,” the neighbor says, “let’s have a look at it.” The two kneel down beside the bush. “She’s broke above the graft,” the neighbor says, “she’s not split. Probably shoot out here.” He points with a thick finger to a lump on the side of the bush. “Sometimes,” he says, “sometimes, when they’ve had a shock, they come out prettier than ever.”
Across the Channel, in back of the hill that you can see, they are cleaning the great barrel, studying charts, making reports, churning with Geopolitik.
MINESWEEPER
LONDON, July 7, 1943—Day after day the minesweepers go out. Small boats that in peacetime fished for herring and cod. Now they fish for bigger game. They are equipped with strange, new fish lines. The crews are nearly all ex-fishermen and whalers and the officers are from the same tough breed. Theirs is an unromantic and unpublicized job that must be done and done very thoroughly. The danger lurks without flags and firing. Very few decorations are awarded to the minesweeping men.
They usually sail out of the harbor in a line, three boats to sweep and two to drop the buoyed flags, called dans, which mark the swept channel. Once on the ground to be swept, three of the boats deploy and travel abreast at exact and set distances from one another. The space between them is the area that can be reached by their instruments. The little boats are searching for the two kinds of mines which are usually planted—the magnetic mines which explode when a ship with its self-created magnetic field sails over, and the other kind which is exploded by the vibration of a ship’s engines. The sweepers are equipped with instruments to explode either kind and to do it at a safe distance from themselves.
The three abreast move slowly over the area to be cleared of mines and behind them the dan ships follow at intervals, putting out the flags. At the end of their run they turn and come back, overlapping a little on the old course and the dan ships pick up the flags and set them on the outer course again.
All the boats are armed against airplanes. The gunners stand at their posts and search the sky constantly, while the radio operator listens to the spotting instruments on the shore. They take no chances with the planes. When one comes near them they train their guns in that direction until they recognize her. And even the friendly planes do not fly too close. For these men have been bombed and fired on from the air so often that they will fire if there is any doubt at all. Sticking up out of the water are the masts of many ships sunk early in the war when the German planes ranged over the Channel almost with impunity. They do not do it any more.
The voice of the radio man comes up through the speaking tube to the little bridge. “Enemy aircraft in the vicinity,” he says, and then a moment later, “Red alert.” The gunners swing their guns and the crew stands by, all eyes on the sky. From the English coast the Typhoons boil out angrily, fast and deadly ships that fly close to the water. In the distance the enemy plane is a spot. It turns tail and runs for the French coast. The radio man calls, “All clear,” and the crew relaxes.
On the little bridge the captain directs the laying down of the colored flags, while his second checks the distance between the boats. If the dan ship gets too close, a mine may explode under her. With instruments the distance is checked every few seconds. The little flotilla moves very slowly, for when it has passed and marked the free channel the ships with supplies must be able to come through in safety.
Suddenly the dan ship is struck by a heavy blow, the sea about flattens out and shivers, and then a hundred yards ahead a tower of water and mud bursts into the air with a roar. It seems to hang in the air for a long time and when it falls back the dan ship is nearly over it.
There is a large, dirty place on the ocean, bottom mud and a black gluey substance, which comes from the explosive. The crew rush to the side of the ship and search the water anxiously. “No fish,” they say. “What has happened to the fish? You’d think there would be one or two killed by the blast.” They have set off one of the most terrible weapons in the world and they are worried about the fish.
The captain marks with great care on his chart the exact place where the mine was exploded. He takes several sights on the coast to get the position. Another mine roars up on the other side of the lane. The second in command takes up the blinker and signals, “Any fish?” and the answer comes back, “No fish.”
The day is long and tedious, sweeping and turning and sweeping, and when the job is done it is only done until the night, for on this night the mine layers may creep over from the French coast and sow the field again with the nasty things, or a plane may fly low in the darkness and drop the mines on parachutes. The work of the sweepers is never finished.
It is late when they turn for home and it is dark when the little ships file into the harbor and tie up to the pier. Then the captain and his second relax. The strain goes out of their faces. No matter how long or uneventful the sweep, the danger is never gone. The gun crew clean and cover their guns and go to their quarters. The officers climb down to the tiny wardroom. They kick off their fleece-lined boots and settle back into their chairs. The captain picks up the work he has been doing for weeks. He is making a beautifully exact model of—a minesweeper.
COAST BATTERY
SOMEWHERE IN ENGLAND, July 8, 1943—The guns hide in a field of grain and red poppies. You can see the cannon muzzles protruding and aiming at the sky. The battery is on the south coast, in sight of France. There was a time when the great flights of German bombers came over this undefended coast and carried their bomb loads to London and Canterbury. But the coast is not undefended now.
The spotters are all over the hills, the complicated and delicate listening posts which can hear a plane miles away, and the spotters are girls. When a strange ship is heard, its position is phoned to the plotters of position, and the plotters are girls, too. The sighters are girls. Only the gunners who load and turn the gun itself are men. It is an amazing institution, the mixed battery, something unique in the history of armies.
The barracks are nearby, one for the girls and another for the men. The eating hall is common, the recreation room is common, and the work is common.
Twenty-four hours a day the crews are on duty. They can do what they want within a certain distance from the gun. The girls read and wash their clothing, sew and cook. The kitchen, a temporary affair, is built of kerosene tins filled with sand laid like bricks. The new kitchen is just now being built.
The countryside is quiet. The guns are silent. Suddenly the siren howls. Buildings that are hidden in camouflage belch people, young men and women. They pour out, running like mad. The siren has not been going for thirty seconds when the run is over, the gun is manned, the target spotted. In the control room under ground the instruments have found their target. A girl has fixed it. The numbers have been transmitted and the ugly barrels whirled. Above ground, in a concrete box, a girl speaks into a telephone. “Fire,” she says quietly. The hillside rocks with the explosion of the battery. The field grass shakes and the red poppies shudder in the blast. New orders come up from below and the girl says, “Fire.”
The process is machine-like, exact. There is no waste movement and no nonsense. These girls seem to be natural soldiers. They are soldiers, too. They resent above anything being treated like women when they are near the guns. Their work is hard and constant. Sometimes they are alerted to the guns thirty times in a day and a night. They may fire on a marauder ten times in that period. They have been bombed and strafed, and there is no record of any girl flinching.
The commander is very proud of them. He is fiercely affectionate toward his battery. He says a little bitterly, “All right, why don’t you ask about the problem of morals? Everyone wants to know about that. I’ll tell you—there is no problem.”
He tells about the customs that have come into being in this battery, a set of customs which grew automatically. The men and the women sing together, dance together, and, let any one of the women be insulted, and he has the whole battery on his neck. But when a girl walks out in the evening, it is not with one of the battery men, nor do the men take the girls to the movies. There have been no engagements and no marriages between members of the battery. Some instinct among the people themselves has told them trouble would result. These things are not a matter of orders but of custom.
The girls like this work and are proud of it. It is difficult to see how the housemaids will be able to go back to dusting furniture under querulous mistresses, how the farm girls will be able to go back to the tiny farms of Scotland and the Midlands. This is the great exciting time of their lives. They are very important, these girls. The defense of the country in their area is in their hands.
The manager of the local theater has set aside two rows of seats this evening for members of the battery who are off duty. The girls who are to go change from their trousers to neat khaki skirts and blouses. They spend a good deal of time making themselves pretty. They sit in the theater, leaning forward with excitement. The film is a little stinker called War Correspondent, made six thousand miles from any conflict, where people are not likely ever to see any.
It concerns an American war correspondent who through pure handsomeness, cleverness, bravery, and hokum defeats every resource of the Third Reich. The Gestapo and the German Army are putty in his hands. It is a veritable Flynn of a picture.
And these girls who have been bombed and strafed, who have shot enemies out of the sky and then gone back to mending socks—are these girls scornful? Not in the least. They sit on the edges of their seats. When the stupid Gestapo men creep up to the hero they shriek to warn him. This is more real to them than this afternoon, when they fired on a Focke Wulf 190. The hero who emerges from a one-man Dunkerque, with combed hair and immaculate dress, is the true, the good, the beautiful.
This afternoon the girls were sweaty, dusty, and they smelled of cordite. That was their job—this is war. And when the film is done they walk back to their barracks, talking excitedly of the glories of Hollywood warfare. They go back to their routine job of defending the coast of England from attack, and as they walk home they sing, “You’d be sooo naice to come ’ome to, You’d be so naice by a fire.”
ALCOHOLIC GOAT
LONDON, July 9, 1943—His name is Wing Commander William Goat, DSO, and he is old and honored, and, some say, in iniquity. But when he joined the RAF wing two years ago he was just able to totter about on long and knobby legs. For a long time he was treated like any other recruit—kicked about, ignored, and at times cursed. But gradually his abilities began to be apparent. He is very good luck to have about. When he is near, his wing has good fortune and good hunting. Gradually his horns, along with his talents, developed, until now his rank and his decorations are painted on his horns in brilliant colors and he carries himself with a shambling strut.
He will eat nearly everything. No party nor any review is complete without him. At one party, being left alone for a few moments, it is reported that he ate two hundred sandwiches, three cakes, the arrangements for piano and flute of “Pomp and Circumstance,” drank half a bowl of punch, and then walked jauntily among the dancers, belching slightly and regarding a certain lieutenant’s wife, who shall be nameless, with lustful eye.
He has the slightly bilious look of the military of the higher brackets. Being an air-goat, he has rather unique habits. If you bring an oxygen bottle into view, he rushes to it and demands it. He puts his whole mouth over the outlet and then, as you turn the valve, he gently relaxes, grunting happily, and his sides fill out until he nearly bursts. Just before he bursts he lets go of the nozzle and collapses slowly, but the energy he takes from the oxygen makes him leap into the air and engage imaginary goats in horny combat. He also loves the glycol cooling fluid which is used in the engines of the Typhoons. For hours he will stand under the barrels, licking the drips from the spouts.
He has the confidence of his men. Once when it was required that his wing change its base of operations quickly, he was left behind, for in those days it was not known how important he was. At the new base the men were nervous and Irritable, fearful and almost mutinous. Finally, when it was seen that they would not relax, a special plane had to be sent to pick up the wing commander and transport him to the new base. Once he arrived, everything settled down. The Typhoons had four kills within twenty-four hours. The nervous tension went out of the air, the food got better as the cook ceased brooding, and a number of stomach complaints disappeared immediately.
