Linda Howard - Kill and Tell
Then a patient, a thirty-two-year-old mother of two, had gone sour on them. She was in for a ruptured appendix and had been very sick for several days but was recovering. Tonight, just after supper, she had been walking to the bathroom and suddenly slumped to the floor. A blood clot had lodged in her pulmonary artery, and she was gone, despite all their efforts. It happened sometimes, but the shock never really lessened. The only thing that had changed was that Karen had learned how to work through the shock, to keep going, to push it away. All nurses and doctors had to learn that, or they couldn't function. But the kicker was when some idiot let a nineteen-year-old boy, wacked out on drugs, escape from the psych unit, where he had been taken because of the security. Some security. And where had the kid headed? Straight to the surgical floor, where all the good dope could be found. He had shed his hospital gown somewhere along the way. Stark naked, his pupils so contracted he looked like an alien, hair standing out in wild tangles, he had wrecked the desk looking for drugs. Finally, he had found the locked cabinet, but Judy Camliffe, the floor charge nurse, had the key in her pocket. Security got there as he was trying to tear the metal doors apart. Unfortunately, subduing a naked man is tricky; there are no clothes to grab, and bare skin is slippery. The kid fought free so many times Karen lost count. They wrestled in the halls, upsetting carts, dumping files and charts everywhere, waking patients who then either became alarmed or decided they needed more pain medication. By the time the kid was finally subdued, the surgical floor was a wreck. By the time the nurses finished with their shift, so were they.
The message was probably from a salesman or a charity; she hadn't had time yet to make friends with any of her new neighbors, and all of her other friends were nurses who knew what shift she worked and wouldn't call to chat. She couldn't think of any remotely urgent reason she should listen to her messages, but still she dropped her bag and went over to the machine. She wouldn't be able to sleep knowing that red light was blinking.
Out of habit, she picked up the notepad and pen she always kept by the phone, just in case there might actually be a call she needed to return. She punched the play button and listened to the tape rewinding. After some whirring and a couple of clicks, a drawling baritone voice broke the quiet of the room. For some reason, her breath gave a little hitch. The voice was somehow beguiling, with warm, dark, pure masculine tones that quivered along her nerve endings, almost as if she had been touched. Even disguised by the drawl, there was a hard edge of authority evident as well. He said, "Miss Whitlaw, this is Detective Marc Chastain with the New Orleans Police Department. I need to talk to you concerning your father. You can reach me at—"
He recited the number, but Karen was so taken aback she didn't write down a single digit. Hastily, she punched the stop button, then replay. When the whirring and clicking stopped, she listened again to the brief message and once again was so distracted by his voice that she almost missed the number a second time. She scribbled it down, then stared at the pad in a fog of fatigue and bemusement. Dexter was evidently in trouble and thought she would bail him out. No, he thought Jeanette would bail him out; he couldn't know his wife had been dead for six months. Had the detective said " Miss Whitlaw" or " Mrs. Whitlaw"? His drawl had slurred the word.
She couldn't resist. She replayed the message one more time, as much to hear that voice as to determine if he had thought he was calling her or her mother. Listening closely, she thought he said "Miss," which was politically incorrect of him, but she still wasn't certain.
She didn't want to call. She didn't want to hear about Dexter's troubles, and she had no intention of bailing him out of anything, anyway. All she wanted to do was get off her feet and go to sleep. She thought of her mother, how Jeanette had taken him back time and again, how she was always there if he needed her. He had never been there for them , but Jeanette had never wavered in her devotion. Suddenly, Karen felt swamped by an exhaustion that had nothing to do with physical tiredness and everything to do with a lifetime of bitterness, of wariness, and these last lonely six months of grieving for her mother. She was tired of being dragged down by her father's desertion. It was done, and nothing she could do would change it. She didn't want to be one of those people who spent their entire lives whining about their past troubles, as if that excused them from responsible behavior in the present. She had loved her mother dearly, still loved her and would continue to grieve for her, but it was time to get on with life. Instead of letting the empty apartment depress her, she should get her things out of the boxes she had packed them in to move, and make a home here.
Maybe she would take more classes, get her master's degree in nursing. She might go into the critical care field. It was challenging but fascinating for those who could stand the pressure. She was calm during emergencies, able to think fast on her feet, both necessary characteristics in a good critical care nurse. She took a deep breath. For the first time since Jeanette's death, she felt in control of herself, of her life. She had to deal with Dexter, if only for her mother's sake, so she might as well make the call. Without giving herself any time perhaps to change her mind, she picked up the receiver and punched Detective Chastain's number.
Unconsciously, she held her breath, bracing herself to hear his voice. How silly of her, to let herself to be affected by a man's voice on the telephone, but recognizing the ridiculousness of her reaction didn't mitigate the strength of it.
The phone rang several times, but no one answered it. Surely detectives didn't keep bankers' hours, she thought.
She glanced at her wristwatch. Seven forty-five. "Idiot," she muttered under her breath, and hung up. Louisiana was in the central time zone, an hour behind Ohio. Detective Marc Chastain was definitely not in his office at six forty-five in the morning.
She couldn't stay awake until a reasonable time for him to be there. She couldn't stay vertical another five minutes. Dexter would have to wait.
But she would call. When she woke up this afternoon, she would call. That decision made, she stumbled into the bedroom. Fatigue made her clumsy as she undressed. Yawning again, she stretched out between the cool sheets and sighed with bliss, arching her aching feet and wriggling her toes. She tried to imagine how Detective Chastain looked. Voices almost never matched appearances; the detective was probably a pot-bellied good old boy, edging toward retirement, with a couple of grown kids. But he had a voice like dark honey, and it was with her as she drifted to sleep.
The shrill ringing of the telephone jarred her awake. Confused, startled, Karen bolted upright in bed, then groaned as she realized she had forgotten to turn off the ringer before she went to sleep. The digital clock taunted her with big red numerals: nine-thirty.
She grabbed the receiver just to silence the obnoxious noise. "Hello," she said, her voice foggy with sleep.
"Miss Whitlaw?"
That voice. Just two words, but recognition tingled down her spine. She cleared her throat. "Yes."
"This is Detective Chastain, New Orleans Police Department. I left a message for you yesterday concerning your father."
"Yes." She started to say she had intended to return his call this afternoon, but he was already speaking again, the warm tones noticeably cooler.
"I'm sorry, Miss, but your father was killed two days ago in a street shooting." Shock made her go numb. Her hand tightened on the receiver until her knuckles turned white. "Two days?" Why hadn't someone called before?
"He didn't have any ID on him. We identified him by his military dental records." He kept talking, saying something about her coming to New Orleans and verifying Dexter's identity. He was brisk, businesslike, and Karen fought to organize her scattered wits.
"I'll try to catch a flight today," she finally said. "If not—"
"The airlines have special arrangements for emergencies," he cut in. "You can be here this afternoon." If you want to. She heard his unspoken accusation in his clipped tone, and resentment stirred. This man didn't know anything about her; who was he to stand in judgment on her relationship, or lack of it, with her father?
"I'll call you when I get there," she said, anger making her voice tight.
"Just come to the Eighth District on Royal Street."
Karen repeated the address, then said, "Thank you for calling." She hung up before he could say anything else.
She pulled her legs up and rested her head on her knees. Dexter was dead. She tried to absorb the news, but it was too unreal. She knew she should be feeling something other than shock, but she was empty. How could she mourn a man she barely knew? It was his absence, not his presence, that had shaped her life.
Throwing the sheet back, she got out of bed. She felt like a walking zombie, but she had to make some calls, arrange a flight, pack a bag. Only duty drove her, but duty carried a big whip.
Her father was dead. The thought kept reverberating in her mind as she stood under a cold shower. She hadn't really known him, and now she never would.
Chapter 6
«^»
"Karen Whitlaw, Karen Whitlaw." A man named Carl Clancy stood at the pay phone—it had taken forever to find one with a directory—and ran his finger down the tissue-thin page. It was just after noon, and the sun was baking him. He shifted position so his body blocked the glare from the paper. No Karen Whitlaw was listed, but he found a K. S. Whitlaw. He would bet that was her. Single women always used their initials; the practice was so common they might as well go ahead and have their full names printed, except for the simple precaution of protecting their full names. He dropped some change into the slot and dialed the number. After four rings, he heard the click of an answering machine, and a pleasant female voice said, "You've reached 555-0677. Please leave a message."
Smart girl, he thought with approval. She hadn't given out her name to any jackass who happened to dial her number. People did that all the time, gave out their names on their answering machine messages, even put signs on their mailboxes or in their yards announcing "The Hendersons," or whatever. Fools. All some burglar had to do then was look up Henderson in the phone book until he came to that address, then call to see if anyone was home. If no one answered, he could waltz right in, secure in the knowledge he was alone.
In this case, however, Carl already knew her name. The call had just verified her address. She was probably at work; the information he'd received on her said she was a nurse. He could take his time, give the house a thorough toss, find the book Hayes wanted. If he couldn't find it, Hayes said, torch the house, just to be on the safe side. Maybe the book was in a safe deposit box, but people were seldom that cautious with valuable items; they just found what they thought was a clever hiding place somewhere in their home.
Returning to his car, he took out the city map he had bought and located Karen Whitlaw's street. He could be there in fifteen minutes, max; plenty of time to do the job and catch his late-afternoon flight. He drove through the neighborhood, looking for Neighborhood Watch signs and neighbors who were out gardening or mowing their lawns. The houses were smallish and past their prime. He saw only a few children playing, and most of the cars in the driveways were older sedans, which told him that the majority of the houses were owned by old people whose kids had long since grown up and left or young couples who had bought their first houses and hadn't yet started their families. The houses with no cars in the driveway would belong to the young couples, who were at work.
That was both good and bad. There weren't many people at home in the neighborhood, but those who were would likely be old people. Old folks were nosy. They knew what cars belonged in the neighborhood and what cars didn't, and they didn't have anything better to do with their time than peer out windows.
Well, a few old folks couldn't keep him out of a house he wanted into. The trick, if he was seen, was to look as average as possible and to act as if he had every right to be there. Even better was if no one saw him. He was good at not being seen; that was why Hayes had picked him for the job. He drove around until he found a convenience store and parked the rental car as far to the side as he could. In case the clerk was watching out the window, he went inside and bought a soft drink, taking care not to make eye contact or do anything that would make him memorable. Leaving the car there, he briskly walked the three blocks to Karen Whitlaw's house.
When he reached her street, he began cutting through backyards, using shrubbery and fences for cover. People put all sorts of junk in their backyards, which was great for concealment. Generally, his biggest problem was dogs. Dogs were a pain in the ass. He could hear one of the little bastards now, yapping its head off inside the house he was now behind. Carl settled into place behind a bush, remaining motionless until the yapping ceased.
Finally, he reached the Whitlaw house. Getting in was a piece of cake. The lock on the back door wouldn't keep out a determined ten-year-old; he opened it within seconds. God, if people only knew. He did a walk-through of the house first, checking the most obvious hiding places: the freezer compartment of the refrigerator, on top of cabinets, under chairs. He didn't know exactly what the book looked like; no one did. Just look for a little notebook, Hayes had said. It'll be old and dirty. There weren't any old, dirty notebooks in any of the obvious hiding places. Methodically, Carl began tossing the house. He looked in every drawer, took every drawer out and checked for anything taped behind or underneath. He felt the curtains to see if anything had been sewn into the hems, examined all the cushions and pillows for a resewn seam or any suspicious lumps. He didn't wreck the place; that was for malicious amateurs. The real art was to get in and out without leaving a trace of his presence. He didn't slash the furniture, and he put everything back in place after he had examined it. There were framed photos sitting around, some of them of a smiling young couple. He assumed the pretty little blonde in the pictures was Miss Whitlaw. He wouldn't mind having her as his nurse, especially if she sat on his lap the way she was doing with some grinning idiot in one of the photos. The grinning idiot was the guy in the other pictures; evidently, he was the man of the moment. In the bedroom, he found men's clothing in the closet and shaving gear in the bathroom. He clucked his tongue. Miss Karen had a live-in boyfriend, or at least one who stayed over regularly enough to leave some of his clothes here. Maybe she had even married him, recently enough that the number in the phone book was still listed in her name.
The house was small; he was efficient. Within two hours, he had covered it, and the book wasn't there unless she had gotten real clever and hidden it under the house or, somehow, in the ceiling. He found the trap door into the attic area and peered around, but everything was dark and dusty, and it was more than a hundred degrees up there. Nor was he inclined to crawl around under the house; that wasn't a good hiding place, because it was so dank. The moisture ruined everything. He was certain the book wasn't on the premises, but Hayes's orders had been to burn the place if he didn't find the book. He shrugged. Orders were orders, and Hayes was a careful man. Carl set about following those orders.
