Ed Lacy - The Best That Ever Did It
“Have a job, Mrs. Turner?”
“No.”
“This apartment, the furniture, your clothes—a detective's salary wouldn't make it. You knew your husband was keeping his hand out, but...”
“Ed wasn't dishonest!” she snapped.
“What did he do, win a lot of prize money like the Andersun kid? This case is tough enough, has the cops on the ropes—if you really want results, don't hold out on me.”
“I told you, I never knew much about his job—never wanted to hear about it. He gave me money for the house. I never asked questions. Ed didn't like to be questioned about money matters. My God, you must think I'm some cheap, little ugly tramp that...”
“Don't know enough about you to say if you're cheap or not, or a tramp. But you're not little, or ugly. Now let's put the gloves away and get down to...”
Her eyes became soft again—that kid look—as she said, “Thanks. I do want to find out if... Ed was a suicide. It's so terribly important to me. I'm sorry I blew up, but you are a bit abrupt... and crude.”
I wondered what the “thanks” meant. “One more crude question, Mrs. Turner. Why do you keep harping on this suicide kick? You say Ed was happy, and ambitious, hard—that's not the picture of a suicide.”
“But if he was shot in the back without...?”
“Suicides are upset, depressed. You keep raising the suicide angle.... What was Ed upset about?”
She stared at the floor, finally whispered, “We had a fight that night. Something very personal.”
“Like what?”
She raised her head and glared at me, said, “None of your business! I said it was personal!”
“But you hired me to find out the most personal thing a person can do—kill himself. What did you fight about?”
She sighed, leaned back against the couch, said in her small voice, “We were... incompatible. For months Ed hadn't slept with me.”
I didn't say a word, didn't know what to say. “I think he... he got some sort of... thrill... out of beating men. He once told me that. Maybe that was why he stopped... having relations with... me. On the night he was killed we... had a scene and I accused him of n-not being a man. He got so angry I thought he was going to hit me. He ran out of here. Less than two hours later he was dead.” The words were forced out, dull little sounds. She added, “This has to be confidential. Don't even tell the police, please.” I stood up.
“Now you see why I must know—for my own peace of mind. I feel as though I killed him.”
“If that's all you have to go on, Mrs. Turner, I still think you ought to save your money. Let the police handle this.”
“I'll be the judge of that,” she said, and her kid's voice was cold and snooty. “What do you plan to do tomorrow?”
“If you're going to tell me how to operate, then you don't need me.”
“I'm not telling you your business, but I am interested, of course.”
For a moment I wanted to walk out on the case—but only for a moment. Then I said calmly, “This Brown lead might be something, although it's a long shot and doesn't make much sense. Takes me months to check on all the Browns in the city, but the police will do it quicker, so I'll leave it alone. I expect to talk to members of the Andersun family. I'm sure his slaying will explain everything. Sound like a good day's work?”
I walked to the door and she followed, without speaking. At the door I turned to see her looking at herself in a wall mirror, moistening her lips, straightening her bangs. “You'll be here tomorrow at eight?” she asked.
I nodded and opened the door.
“Barney, have you a picture of your daughter?”
Taking out my wallet, I showed her Ruthie's laughing face. She said, “What an adorable child.”
“Thank you, Mrs. Turner.”
“I wish you'd call me Betsy. Mrs. Turner sounds so... jarring.”
“Best we keep it jarring, for the time being. Good night, Mrs. Turner.”
“Good night, Barney.”
In the lobby downstairs I asked the hall man if there was a public phone and he showed me one back of a door that led to the service entrance. I kept the door open as I dialed, had a clear view of the lobby. I told my baby sitter, “This is Barney Harris. Looks like I'm stuck for a brace of hours. May, can you do me a favor and sleep over on the couch? Sure, ask your folks if it's okay. How's Ruthie doing? Oh, I'll probably be home around... three or four in the morning. You bet, overtime is double pay. Look, you go downstairs and ask your folks and I'll call back in about five minutes.”
I hung up and lit a cigarette, wondered if it would be smart to chat with the hall man. But he wouldn't tell me anything about Mrs. Turner. Probably the first thing the cops checked was what she was doing on the night of the murder.
An old couple came in and talked to the hall man as they waited for the elevator. I finished my butt and called back and May said her folks didn't like her staying out all night. I told her I'd phone them. Instead I phoned Cy O'Hara, asked him if he could baby-sit. He told me, “Look, Barney, it's near nine now and I'm to hell and gone across the Bronx. Besides, I'd have to wait till the wife came home from the movies. Probably wouldn't get there before 3 a.m. myself.”
“I just thought maybe you could leave now. See you at the office.”
“Sorry, Barney.”
“Forget it. I'll get somebody. See you tomorrow, Cy.” I couldn't blame anybody for turning me down—being single I could never return the baby-sitting favor. I got the Weiss number from information and spent ten minutes convincing May's mother that this was an emergency and after all, the kid was in the same apartment house and what could happen to her? She finally said all right, but just this once. Said she'd go up and see that May was comfortable.
I went out and sat in my car, got some jazz on the radio. It wasn't hard to spot the Turner windows—not with all those slashing colors. Waiting is the thing a detective does the most of and I killed time by going through the papers in my pockets, tearing up the ads, the old bills, a letter asking if I was interested in a “Perfect Man” and weight-lifting contest at a Brooklyn YMCA; I was way out of shape for contest lifting, and maybe getting too old.
Mostly couples went into the apartment house, and a few men who somehow didn't look like “lovers.” At ten-thirty the lights in her living room went out, then I saw her pulling down the blinds of her bedroom, and soon that light went out.
At 3:20 a.m. I drove home. Betsy Turner hadn't gone out, nor had the lights been turned on again. She hadn't been waiting for a man. That meant she'd dolled up in that sexy outfit for me.
And like the rest of the case, that didn't make any sense.
THE ARMY didn't make Martin Pearson a hustler—the war did. In an interview in the Syracuse Tribune, Pearson's mother, Mrs. Francine Pearson, blamed the army:
I'll never believe Martin is a murderer. Our family has lived here since the days of 1776 and not a single Pearson has ever been in trouble with the law—for any reason whatsoever. My Martin was raised as a sober, hard-working boy, but after those three-and-a-half years he spent in the army, he came home different. He was still a fine boy but it seemed to me his eyes were restless, always searching for something. He never seemed to look a person in the eyes any more.
But the army only taught a comparative few how to work an angle, while war made scrounging the main occupation of most of the world's population—scrounging for food, the fast buck, the fast lira or franc: hustling for life itself.
Pearson was born on a small farm some twenty-four miles from Syracuse, New York on August 25, 1920. The farm was four miles from the “town” of Bay Corners, which consisted of a feed store, a garage, and a general store run by one Andrew Marsh. The rear of this store was also the movie house with several rows of wooden benches. Twice a week (and every night during July and August) Mr. Marsh squeezed his barrel body into his homemade projection booth and ran his old 16mm projector. Farmers supported Bay Corners the year around, but in the summer passing motorists and the campers at a near-by lake gave Marsh a boom business.
Martin was the fourth child and received little attention from the rest of the family. As soon as he was big enough, he did his share of the farm work. When he was twelve years old a small incident changed his entire life. Mary Marsh—the plump ten-year-old daughter of the general-store owner—sported a new bike, the result of selling twenty-five subscriptions to a farm magazine.
Martin also wanted a bike and knowing she had covered all the people in Bay Corners (fifty-seven according to the last census) he spent the snow-free days of the winter tramping from farm to farm. By spring he had twenty-five subs and sent away for the bike. Two weeks later the rural mailman handed Martin a large package, although obviously much too small for a bicycle. An enclosed letter stated that there had been a misunderstanding on Martin's part—the bicycle was given for a hundred and twenty-five subscriptions. For his twenty-five subs they were sending him a box camera, three rolls of film, and a developing kit. The magazine sincerely hoped this would be satisfactory-
It wasn't. In a rage Martin accused Mary Marsh of lying. She said, “Honest, I thought it was twenty-five subs. Poppa sold them for me at the counter and I never did know how many he got. Gee, Marty, nobody here ever had a camera, except the summer people.”
Martin was still angry but he took pictures of his father and mother on a sunny day, developed them in the barn at night— carefully following the instruction booklet—and his folks and brothers stared at the hazy snapshots with awe. Martin realized the camera made him a person of importance, began spending his extra dimes for photo supplies and booklets.
By the time he graduated from high school at eighteen, Martin had a second-hand press camera and was making a few dollars a week cycling from farm to farm, doing “portraits” of the farm families. Mary Marsh was about to enter Teachers Normal College at Oswego, and had grown to be a squat young woman whose only beauty was her “clear skin.” There weren't many young people in Bay Corners and it was understood Mary and Martin were “going steady,” mainly because Martin hung around Poppa Marsh's theater, seeing each movie over and over, trying to understand the technique of motion pictures. Martin suggested she ask her father if he could set up a “portrait studio” in the store during the summer months, use the theater for a dark room during the day. For rent Martin offered 30 per cent of the take. Mr. Marsh settled for 50 per cent and Martin was in business with some badly lettered signs in the store window.
Martin would hang around the summer campers, quietly taking candid shots of them swimming and horsing around, return the next day with enlargements in cardboard frames. The happy campers gave him from three to five dollars a picture and during the summer he made almost four hundred dollars. Mr. Marsh hinted Martin would be welcome as a son-in-law and it was decided they would be married as soon as Mary finished college.
Martin bought a second-hand roadster (In his confession Martin Pearson stated: “Until I was in the army I never had a brand-new thing in my life. All my clothing, shoes, and toys were hand-me-downs from my brothers.”) and the photography business went into a slump; all the local people had photos and in the winter there weren't any tourists. Martin took pictures of a forest fire and sold them to a Syracuse paper, soon became a free-lance photographer for several small country papers. He would ride around the countryside, snapping weddings, accidents, church bazaars; returning to sell pictures to the people in the photos, to the local papers, and sometimes to papers in Syracuse, Ithaca, and Buffalo. Although he worked hard, had a good summer trade, Martin never averaged more than thirty dollars a week for a year.
When he was twenty-two, Mary graduated from college and was immediately hired to teach at the Bay Corners school. She and Martin were married and he moved into the Marsh apartment over the store. By local standards they had a decent income and Martin wasn't unhappy—he was bored. Nine months after they were married he received his draft notice and according to his own statement: “If I felt anything it was relief.”
Martin landed in an infantry basic training camp in the South. Every Friday afternoon the soldiers were reviewed by the elderly colonel in command. One Friday, while he was barracks orderly, Martin took his miniature camera and photographed the parade grounds. Using the camera as an en-larger, he ran off a few prints, found the soldiers eager to get copies—they offered him as much as five dollars per copy. Martin immediately wired Mary to send him supplies and was soon doing a flourishing business. A camp newspaper was being set up and Martin was made a Pfc., kept on permanent cadre, and assigned to the paper.
A large and steady stream of new men went through the camp, each new G.I. wanting a picture to send home. Martin had a stock shot in which he lay behind a small hill and snapped the new soldier jumping over the top, rifle and bayonet in hand, a scowl on his face. This was the five-dollar special and every payday Martin's hands were full of money, and it was all profit as he was now using army film and paper. Mary wrote dutiful letters, sent him homemade cookies and asked when he was coming home on leave, but business was too good for Martin to take time off. The editor of the camp newspaper was an earnest young man who was transferred in 1943 to Yank magazine. He wrote Martin the magazine might be interested in him too, but Sergeant Pearson wasn't the least interested in leaving his cozy deal.
In 1944 the camp cadre was suddenly shipped to Camp Kilmer, broken up for overseas shipment. Martin spent a fast week-end with Mary in New York City and in a fit of tender love-making gave her eighteen hundred dollars he had saved up, told her he'd won it in a crap game.
Three weeks later Martin was hanging around a huge repple-depple outside Naples, seemed to be taking his basic over again. One day Pearson read an article in Yank by his former camp editor and wrote to him, asking if it was still possible to be assigned to the magazine. The Yank man was stationed in Rome and to Martin's astonishment he spoke to somebody on Stars and Stripes and Martin was soon sent to Rome as a photographer on the army newspaper.
Pearson learned a great deal about photography here, for the other cameramen had all been professional newspaper and magazine photographers. Martin covered the front lines, flew a bombing mission, and rode a PT boat to Yugoslavia. Life was exciting but he missed the money he'd made back in the States and Pearson was constantly searching for an angle. Black-market cigarettes were small time; a bigger deal was selling G.I. photographic paper to Italian studios, but that was risky.
