Alan Bradley - The Weed That Strings the Hangmans Bag
"'Why doesn't he shoot?' I called out to Wolfgang, but there was no answer. With my shoulder harness locked, I could not twist round far enough in my seat to see him.
"But even on one engine, Kathi was easily able to stay aloft, and for what seemed like an eternity, that British hound chased the German hare across the green countryside.
"The shattered windscreen had reduced forward visibility to zero, and I had to tack sharply from side to side in order to see what lay ahead. It was a dicey situation.
"And then the other engine died. Phut! Just like that! I had only seconds to make a decision. The trees on a wooded hill were rushing by beneath the wings. At the edge of the wood was a sloping field. It was there that I would put her down. No wheels, I thought. Better to make a belly landing and come to a stop more quickly.
"The sound of the crash was louder than I ever could have imagined. The aircraft slewed from side to side as the earth tore at her belly, battering and banging along, lurching, bucking — it was like being thrown alive into a millrace.
"And then the unearthly silence. It took a moment to realize that we were no longer moving. I unbuckled my harness, threw back the front canopy, and jumped out onto the wing, then ran back and peered in at Wolfgang.
"'Get out!' I shouted. 'Quickly! Get out!'
"But there was no reply.
"Inside the glass canopy, in a sea of blood, Wolfgang sat with a happy smile on his face. His dead eyes were staring out almost feverishly at the green English countryside.
"I jumped down from the wing and vomited into the long grass.
"We had come to rest at the far side of the field. Now, from higher up the hillside, two men, one tall, the other short, had emerged from the trees and were clumping slowly, warily, down towards me. One of them was carrying a shotgun, the other a pitchfork.
"I stood there, not moving. As they drew near, I put one hand in the air, slowly pulled my pistol from its holster and threw it away, making sure they saw what I was doing. Then I put up the other hand.
"'You're a German,' the tall man called out as they approached.
"'Yes,' I shouted back. 'But I speak English.'
"He seemed a little taken aback.
"'Perhaps you should call the police,' I suggested, jerking my head towards the battered Messerschmitt. 'My friend is dead in there.'
"The tall man edged cautiously over to the aircraft and peered inside. The other stood his ground, staring at me as if I had landed from another planet. He drew the pitchfork back, as if he were about to jab me in the stomach.
"'Let him be, Rupert,' the man with the shotgun said. 'He's just had a bad crash.'
"Before the other man could respond, there was a high-pitched screaming in the sky, and the Spitfire shot past, lifting at the end of the field into a victory roll.
"I watched it climb straight up into the blue air, and then I said:
"He rises and begins to round,
He drops the silver chain of sound."
"The two men looked at me as if I had suddenly fallen into shock — and perhaps I had. Not until later would it come crashing home to me that poor Wolfgang was dead.
"George Meredith," I told them. "'The Lark Ascending.'"
"Later, at the police station in the village, the Spitfire pilot paid me a visit. He was with a squadron based at Catterick, and had taken his machine up to check the controls after the mechanics had made a few adjustments. He had not the slightest intention of getting into a scrap that day, he told me, but there we were, Wolfgang and I, suddenly in his gunsights over Haworth. What else could he do?
"'Hell of a prang. Bad luck, old chap,' he said. 'Damned sorry about your friend.'
"All of that was six years ago," Dieter said with a sigh. "The tall man in the field with the shotgun, as I was to find out later, was Gordon Ingleby. The other one, the man with the pitchfork, as perhaps you have already guessed, was Rupert Porson."
* EIGHTEEN *
RUPERT PORSON? BUT HOW could the man with the pitchfork have been Rupert?
My mind was spinning like a painted tin top.
The last place on earth I had ever expected Dieter's tale to end was in Jubilee Field at the Ingleby farm. But one thing now became perfectly clear: If Rupert had been at Culverhouse Farm six years ago, during the war, it would explain, at least in part, how the wooden face of his puppet Jack had come to be carved in the image of Robin Ingleby.
Father let out a sigh.
"I remember it well," he said. "Your machine was brought down in Jubilee Field, just below Gibbet Wood."
Dieter nodded. "I was sent for a short time to a prisoner-of-war camp with thirty or forty other Luftwaffe officers and men, where our days were spent ditching and hedging. It was backbreaking work, but at least I was still in England. Most German pilots who were captured were sent abroad to camps in Canada, where there was little hope of escape.
"When I was offered a chance to live and work on a farm, I jumped at it; although it was not compulsory, many of us did. Those who did not called us traitors, among other things.
"But the war was moving towards its end, and a lot of us knew it. Better to begin paving my own personal road to Oxford, I thought, than to leave my future to chance.
"No one was more surprised than I was to find I had been assigned to the Inglebys' farm. It amused me to think that Gordon, who only a short time before had had me at the end of a shotgun, was now helping Grace fry my kippers in the farmhouse kitchen."
"That was six years ago, you say — in 1944?" I asked.
"It was." Dieter nodded. "In September."
I couldn't help it. Before I could stifle the words, I found myself blurting, "Then you must have been at Culverhouse Farm when Robin was found hanging in Gibbet Wood."
"Flavia!" Father said, putting his cup and saucer down with a clatter. "We will have no gossiping about the grief of others."
Dieter's face went suddenly grim, and a fire — could it have been anger? — came into his eyes.
"It was I," he said, "who found him."
You who found him? I thought. Impossible! Mrs. Mullet had made it perfectly clear that it was Mad Meg who had discovered Robin's body.
There was a remarkably long silence, and then Feely leapt to her feet to refresh Dieter's teacup.
"You must excuse my little sister," she said with a brittle laugh. "She has rather an unhealthy fascination with death."
Full points, Feely, I thought. But although she had hit the nail on the head, she didn't know the half of it.
The rest of the afternoon was pretty much a thud. Father had made what I admit was a noble attempt to switch the conversation to the weather and the flax crops, while Daffy, sensing that little else was worthy of her attention, had crawled back into her book.
One by one, we made our excuses: Father to tend to his stamps, Aunt Felicity to have a nap before supper, and Daffy to the library. After a while, I grew bored with listening to Feely prattle on to Dieter about various balls and outings in the country, and made my escape to the laboratory.
I chewed on the end of my pencil for a while, and then I wrote:Sunday, 23rd of July, 1950WHERE IS EVERYONE? That is the burning question.WHERE IS NIALLA? After spending the night at Mrs. Mullet's cottage, she simply disappears. (Does Inspector Hewitt know she's gone?)WHERE IS MAD MEG? After erupting at the afternoon performance of Jack and the Beanstalk, she is taken to rest on the vicar's couch. And then she vanishes.WHERE IS MUTT WILMOTT? He seems to have slunk off sometime during the fatal performance.WHAT WAS RUPERT DOING AT CULVERHOUSE FARM 6 YEARS AGO? Why, when he and Dieter met at the farm on Friday, did they not admit that they already knew one another?AND WHY, ABOVE ALL, DOES DIETER CLAIM TO BE THE ONE WHO FOUND ROBIN INGLEBY'S BODY HANGING IN GIBBET WOOD? Mrs. Mullet says it was Mad Meg, and Mrs. M is seldom wrong when it comes to village chin-wagging. YET WHY WOULD DIETER LIE ABOUT A THING LIKE THAT?
Where to begin? If this were a chemical experiment, the procedure would be obvious: I would start with those materials most closely to hand.
Mrs. Mullet! With any luck, she would still be puttering in the kitchen before plundering the pantry and carting off her daily booty to Alf. I ran to the top of the stairs and peered through the balustrades. Nobody in the hall.
I slid down the banister and dashed into the kitchen.
Dogger looked up from the table where, with clinical accuracy, he was excising the skin from a couple of cucumbers.
"She's gone," he said, before I could ask. "A good half hour ago."
He's a devil, that Dogger! I don't know how he does it!
"Did she say anything before she left? Anything interesting, that is?"
With Dogger in the kitchen as an audience, Mrs. M would hardly have been able to resist blathering on about how she took Nialla in (poor waif!), tucked her into a cozy bed with a hot-water bottle and a glass of watered-down sherry, and so forth, with a full account of how she slept, what they had for breakfast, and what she left on her plate.
"No." Dogger picked up a serrated bread knife and applied its edge to a loaf of new bread. "Just that the joint is in the warming oven, apple pie and clotted cream in the pantry."
Bugger!
Well, then, there was nothing for it but to make a fresh start in the morning. I'd set my alarm for sunrise, then strike out for Culverhouse Farm and Gibbet Wood beyond. It was unlikely that there would be any clues left after all these years, but Rupert and Nialla had camped at the bottom of Jubilee Field on Friday night. If my plan were properly executed, I could be there and back before anyone at Buckshaw even knew that I was gone.
Dogger tore off a perfect square of waxed paper, and wrapped the cucumber sandwiches with hospital bed corners.
"I thought I'd make these tonight," he said, handing me the package. "I knew you'd want to get away early in the morning."
Curtains of wet mist hung in the fields. The morning air was damp and chill, and I breathed in deeply, trying to come fully awake, filling my nostrils and then my lungs with the rich aroma of dark soil and sodden grass.
As I bicycled into St. Tancred's churchyard, I saw that the Inspector's Vauxhall was gone, and so, I reasoned, was Rupert's body. Not that they would have left him crumpled on the puppet stage from Saturday evening until Monday morning, but I realized that the corpse would no longer be there inside the parish hall, its eyes bugging, its string of saliva congealed by now into a stalactite of spit....
If I thought it had been, I might have been tempted to barge in for another look.
Behind the church, I removed my shoes and socks and wheeled Gladys through the deeper water beside the submerged stepping-stones. Saturday night's rain had increased the flow of water, which roiled about her spokes and tires, washing clean the accumulated mud and clay from my ride into Bishop's Lacey. By the time I reached the other bank, Gladys's livery was as fresh as a lady's painted carriage.
I gave my feet a final rinse, sat down on a stile, and restored my footwear.
Here, along the river, visibility was even less than it had been on the road. Trees and hedges loomed like pale shadows as I cycled along the grassy verge in a gray, wooly fog that blotted all the sound and color from the world. Except for the muted grumble of the water, all was silence.
At the bottom of Jubilee Field, Rupert's van stood forlorn beneath the willows, its gaily painted sign, "Porson's Puppets," jarringly out of place with both the location and the circumstances. There wasn't a sign of life.
I laid Gladys carefully down in the grass and tiptoed alongside the van. Perhaps Nialla had crept back and was now asleep inside, and I wouldn't want to frighten her. But the lack of condensation on the windscreen told me what I had already begun to feel: that no one was breathing inside the cold Austin.
I peered in at the windows but saw nothing unusual. I went round to the back door and gave the handle a twist. It was locked.
I walked in ever-widening circles through the grass, looking for any trace of a fire, but there was none. The campsite was as I had left it on Saturday.
As I reached the bottom of the farm lane, I was stopped in my tracks by a rope hung across the road, from which a sign was suspended. I ducked underneath to read its message.
Police Investigation — — No Admittance by Order — — Hinley Constabulary
Inspector Hewitt and his detectives had been here. But in posting their sign, they had obviously not thought of anyone coming across the swollen river. In spite of his promise to the Inspector, Sergeant Graves had still not learned his lesson about people slipping in by way of the back door.
Very well, then. Since there was nothing to see here anyway, I would move on to my next objective. Although I could not see it in the fog, I knew that Gibbet Wood lay not far ahead at the top of Gibbet Hill. It would be wet and soggy in among the trees, but I was willing to bet that the police had not been there before me.
I dragged Gladys under the barricade and pushed her slowly up the lane, which was far too steep to pedal. Halfway to the top, I shoved her behind a hawthorn hedge, and continued my climb, hemmed in on all sides with misty glimpses of blue flax.
Then suddenly the dark trees of the wood loomed out of the mist immediately in front of me. I had come upon it without realizing how close I was.
A weathered wooden sign was nailed to a tree, bearing the red words: KEEP OUT — — TRESP — —
The rest of it had been shot away by poachers.
As I had known it would be, everything in the wood was wet. I gave a shiver at the clammy coldness, steeled myself, and waded into the vegetation. Before I had gone half a dozen steps into the ferns and bracken, I was thoroughly soaked to the knees.
Something snapped in the underbrush. I froze as a dark form swooped on silent wings across my path: an owl, perhaps, mistaking the heavy morning mist for its twilight hunting time. Although it had startled me, its very presence was comforting: It meant that no one else was with me in the wood.
I pushed on, trying to follow the faint paths, any one of which, I knew, would lead me to the clearing at the very center.
Between two ancient, gnarled trees, the way was barred with what seemed to be a mossy gate, its gray wood twisted with rot. I was halfway over the crumbling barrier before I realized that I was once again at the steps of the old gallows. How many doomed souls had climbed these very stairs before being turned off the platform overhead? With a gulp, I looked up at the remnants of the structure, which now was open to the sky.
