Gillian Flynn - Dark Places
“Well, it sure smells good in here,” Len said, almost resentfully. “Smells like someone had a good breakfast.”
“Pancakes.”
She nodded. Please don’t make me ask you why you’re here. Please, just once, say why you came.
“Mind if I sit down?” he said, wedging himself on the sofa next to Libby, his arms rigid. “Which one’s this?” he said assessing her. Len had met her girls at least a dozen times, but he could never figure out who was who, or even hazard a name. One time he called Michelle “Susan.”
“That’s Libby.”
“She’s got red hair like her mom.”
Yes, she did. Patty couldn’t bring herself to say the nicety out loud. She was feeling sicker the longer Len delayed, her unease building into dread. The back of her sweater was moist now.
“The red come from Irish? You all Irish?”
“German. My maiden name was Krause.”
“Oh, funny. Because Krause means curly-haired, not red-haired. You all don’t have curly hair, really. Wavy maybe. I’m German too.”
They had had this conversation before, it always went one of two ways. The other way, Len would say that it was funny, her maiden name being Krause, like the farm equipment company, and it was too bad she wasn’t related, huh. Either version made her tense.
“So,” she finally gave in. “Is there something wrong?”
Len seemed disappointed she was bringing a point to the conversation. He frowned at her as if he found her rude.
“Well, now that you mention it, yes. I’m afraid something’s very wrong. I wanted to come out to tell you in person. Do you want to do this somewhere private?” He nodded at Libby, widening his eyes. “You want to go to the bedroom or something?” Len had a paunch. It was perfectly round under his belt, like the start of a pregnancy. She did not want to go into the bedroom with him.
“Libby, would you go see what your sisters are doing? I need to talk to Mr. Werner.” Libby sighed and slid off the couch, slowly: feet, then legs, then butt, then back, as if she were made of glue. She hit the floor, rolled over elaborately a few times, crawled a bit, then finally got to her feet and slumped down the hall.
Patty and Len looked at each other, and then he tucked his bottom lip under and nodded.
“They’re going to foreclose.”
Patty’s stomach clenched. She would not sit down in front of this man. She would not cry. “What can we do?”
“Weeeee, I’m afraid, are out of options. I’ve held them off for six months longer than they should’ve been held off. I really put my job on the line. Farm girl.” He smiled at her, his hands clasped on his knees. She wanted to scratch him. The mattresses started screeching in the other room, and Patty knew Debby was jumping on the bed, her favorite game, bouncing from one bed to the next to the next in the girls’ room.
“Patty, the only way to fix this is money. Now. If you want to keep this place. I’m talking borrow, beg, or steal. I’m saying time is over for pride. So: How badly do you want this farm?” The mattress springs bounced harder. The eggs in Patty’s belly turned. Len kept smiling.
Libby DayNOW
After my mother’s head was blown off, her body axed nearly in two, people in Kinnakee wondered whether she’d been a whore. At first they wondered, then they assumed, then it became a loose jingle of fact. Cars had been seen at the house at strange times of night, people said. She looked at men the way a whore would. In these situations, Vern Evelee always remarked that she should have sold her planter in ’83, as if that was proof she was prostituting herself.
Blame the victim, naturally. But the rumors turned so substantial: everyone had a friend who had a cousin who had another friend who’d fucked my mom. Everyone had some bit of proof: they told of a mole on the inside of her thigh, a scar on her right buttock. I don’t think the stories can be true, but like so much from my childhood, I can’t be sure. How much do you remember from when you were seven? Photos of my mother don’t reveal a wanton woman. As a teenage girl, hair shooting from her ponytail like fireworks, she was the definition of nice looking, the kind of person who reminds you of a neighbor or an old babysitter you always liked. By her twenties, with one or two or four kids clambering up her, the smile was bigger, but hassled, and she was always leaning away from one of us. I picture her as constantly under siege by her children. The sheer weight of us. By her thirties there weren’t many photos of her at all. In the few that exist, she’s smiling in an obedient fashion, one of those take-the-dang-photo smiles that will disappear with the camera flash. I haven’t looked at the photos in years. I used to paw at them obsessively, studying her clothes, her expression, whatever was in the background. Looking for clues: Whose hand is that on her shoulder? Where is she? What occasion is it? When I was still a teenager, I sealed them away, along with everything else.
Now I stood looking at the boxes as they slouched under my staircase, apologetic. I was gearing up to reacquaint myself with my family. I’d brought Michelle’s note to the Kill Club because I couldn’t bear to actually open those boxes, instead I’d reached into one cardboard corner where the tape was loose, and that’s the first thing I pulled out, a pathetic carnival game. If I was really going to take this on, if I was really going to think about the murders after all these careful years spent doing just the opposite, I needed to be able to look at basic household possessions without panicking: our old metal egg-beater that sounded like sleigh bells when you turned it fast enough, bent knives and forks that had been inside my family’s mouths, a coloring book or two with defined crayoned borders if it was Michelle’s, bored horizontal scrawls if it was mine. Look at them, let them just be objects.
Then decide what to sell.
To the Kill Creeps, the most desired items from the Day home are unavailable. The 10-gauge shotgun that killed my mom—her goose gun—is snug away in some evidence drawer, along with the axe from our toolshed. (That was another reason Ben got convicted: those weapons were from our house. Outside killers don’t arrive at a sleeping home with limp hands, just hoping to find convenient murder weapons.) Sometimes I tried to picture all that stuff—the axe, the gun, the bedsheets Michelle died on. Were all those bloody, smoky, sticky objects all together, conspiring in some big box? Had they been cleaned? If you opened the box, what would the smell be like? I remembered that close, rot-earth smell just hours after the murder—was it worse now, after so many years of decay?
I’d once been to Chicago, seen Lincoln’s death artifacts in a museum: thatches of his hair; bullet fragments; the skinny spindle bed he’d died on, the mattress still slouched in the middle like it knew to preserve his last imprint. I ended up running to the bathroom, pressing my face against the cold stall door to keep from swooning. What would the Day death house look like, if we reunited all its relics, and who would come to see it? How many bundles of my mother’s blood-stuck hair would be in the display cabinet? What happened to the walls, smeared with those hateful words, when our house was torn down? Could we gather a bouquet of frozen reeds where I’d crouched for so many hours? Or exhibit the end of my frostbitten finger? My three gone toes?
I turned away from the boxes—not up to the challenge—and sat down at a desk that served as my dining room table. The mail had brought me a package of random, crazy-person offerings from Barb Eichel. A videotape, circa 1984, titled Threat to Innocence: Satanism in America; a paperclipped packet of newspaper stories about the murders; a few Polaroids of Barb standing outside the courthouse where Ben’s trial was being held; a dog-eared manual entitled Your Prison Family: Get Past the Bars!
I removed the paperclip from the packet and put it in my paperclip cup in the kitchen (no one should ever buy paperclips, pens— any of those free-range office supplies). Then I popped the videotape into my very old VHS player. Click, whir, groan. Images of pentagrams and goat-men, of screaming rock bands and dead people flashed on the screen. A man with a beautiful, hairsprayed mullet was walking along a graffiti’d wall, explaining that “This video will help you identify Satanists and even watch for signs that those you love most may be flirting with this very real danger.” He interviewed preachers, cops, and some “actual Satanists.” The two most powerful Satanists had tire-streak eyeliner and black robes and pentagrams around their necks, but they were sitting in their living room, on a cheap velveteen couch, and you could just see into the kitchen on the right, where a yellow refrigerator hummed on a cheery linoleum floor. I could picture them after the interview, rummaging through the fridge for tuna salad and a Coke, their capes getting in the way. I turned off the video right about when the host was warning parents to scour their children’s rooms for He-Man action figures and Ouija boards.
The clippings were just as useless, and I had no idea what Barb wanted me to do with the photos of her. I sat defeated. And lazy. I could have gone to the library to look things up properly. I could have set myself up with home Internet access three years ago, when I said I would. Neither seemed like an option right now—I was easily wearied—so I phoned Lyle. He picked up on the first ring.
“Heeyyyy, Libby,” he said. “I was going to call you. I really wanted to apologize for last week. You must have felt ganged-up on, and that wasn’t what was supposed to happen.” Nice speech.
“Yeah, it really sucked.”
“I guess I didn’t realize that all of us had our own theories, uh, but none of them included Ben being guilty. I didn’t think it through. And I didn’t realize. I didn’t take into account. Just. You know, this is real to you. I mean, I know that, we know that, but we don’t at the same time. We really just never will. I don’t think. Totally get that. You spend so much time discussing and debating it becomes … But. Well. I’m sorry.”
I didn’t want to like Lyle Wirth, as I’d already decided he was a prick. But I appreciate a straightforward apology the way a tone-deaf person enjoys a fine piece of music. I can’t do it, but I can applaud it in others.
“Well,” I said.
“There are definitely members who’d still like to acquire any, you know, mementos you want to sell. If that’s why you’re calling.”
“Oh, no. I just wondered. I have been thinking a lot about the case.” I might as well have said dot dot dot aloud.
WE MET AT a bar not far away from me, a place called Sarah’s, which always struck me as a weird name for a bar, but it was a mellow enough place, with a good amount of room. I don’t like people up on me. Lyle was already seated, but he stood up as I came in, and bent down to hug me, the action causing much twisting and collapsing of his tall body. The side of his glasses poked my cheek. He was wearing another ’80s-style jacket—this one denim, covered with slogan buttons. Don’t drink and drive, practice random kindness, rock the vote. He jangled as he sat back down. Lyle was about a decade younger than me, I guessed, and I couldn’t figure if his look was intentionally ironic-retro or just goofy.
He started to apologize again, but I didn’t want any more. I was full up, thanks.
“Look, I’m not even saying I’m sold on the idea that Ben is innocent, or that I made any mistakes in my testimony.”
He opened his mouth to say something, then snapped it back shut.
“But if I were to look into it more, is that something the club would be able to help finance? Pay for my time, in a way.”
“Wow, Libby, it’s great news that you’re even interested in looking into this,” Lyle said. I hated this kid’s tone, like he didn’t realize he was talking to someone with seniority. He was the type who, when the class was over and kids were tapping toes and the teacher asked, “Any more questions?” actually had more questions.
“I mean, the thing is, we all have theories about this case, but so many more doors would open for you than for anyone else,” Lyle said, his leg jittering under the table. “I mean, people actually want to talk to you.”
“Right.” I pointed at the pitcher of beer Lyle had next to him, and he poured some into a plastic cup for me, mostly foam. Then he actually swiped his finger against his nose and put it in the beer, oil-flattened the foam, and poured more.
“So. What kind of compensation were you thinking?” He handed me the cup, and I set it in front of me, debating whether to drink it.
“I think it would have to be case by case,” I said, pretending I was just thinking of this for the first time. “Depending on how hard it was to find the person and what questions you’d want me to ask.”
“Well, I think we’d have a long list of people we’d want you to talk to. Do you really have no contact with Runner? It’s Runner that would be tops on most lists.”
Good old fucked-in-the-head Runner. He’d called me once in the past three years, mumbling crazily into the phone, crying in a wee-heee! shudder and asking me to wire him money. Nothing since. Hell, not much before either. He’d shown up sporadically at Ben’s trial, sometimes in an old tie and jacket, mostly in whatever he slept in, so drunk he listed. He was finally asked by Ben’s defense to stop coming. It looked bad.
Now it looked even worse, with everyone in the Kill Club saying they believed he was the murderer. He’d been in jail three times I knew of before the killings, but just podunk crap. Still, the guy always had gambling debts—Runner bet on everything—sports, dog races, bingo, the weather. And he owed my mom child support. Killing us all would be a good way to be quit of that obligation.
But I couldn’t picture Runner getting away with it, he wasn’t smart enough, and definitely not ambitious enough. He couldn’t even be a dad to his lone surviving child. He’d slunk around Kinnakee for a few years after the murders, sneaking away for months at a time, sending me duct-taped boxes from Idaho or Alabama or Winner, South Dakota: inside would be truck-stop figurines of little girls with big eyes holding umbrellas or kittens that were always broken by the time they reached me. I’d know he was back in town not because he came to visit me but because he’d light that stinky fire in the cabin up on the ridge. Diane would sing “Poor Judd Is Dead” when she saw him in town, face smudged with smoke. There was something both pitiful and frightening about him.
It was probably a blessing he chose to avoid me. When he’d come back to live with my mom and us, that last summer before the end, all he did was tease me. At first it was leering, got your nose sort of stuff—and then it was just mean. He came home from fishing one day, clomping through the house with his big wet waders, banging on the door to the bathroom when I was in the tub, just screwing with me. Come on, open up, I gotta surprise for you! He finally flung the door wide, his beer odor busting in with him. He had something bundled in his arms, and then he flung them wide, threw a live, two-foot catfish in the water with me. It was the pointlessness that frightened me. I tried to scrabble out of the tub, the fish’s slimy skin sliding over my flesh, its whiskered mouth gaping, prehistoric. I could have put my foot in that mouth and the fish would have slid all the way up, tight like a boot.
