Meg Cabot - Size 12 Is Not Fat
But still.
There’s no hiding the coroner’s van, or the body that is eventually trundled out of the building and into it. By four o’clock, the entire student population of Fischer Hall knows there’s been a death. They also know, once the elevators are turned back on, and they are finally allowed to take them back to their floors, how she died. I mean, they’re college students: They’re not stupid. They can put together two and two and come up with four.
But I can’t be too concerned with how the seven hundred residents of Fischer Hall are dealing with the news of Elizabeth’s death. Because I am too busy being concerned with how Elizabeth’s parents are dealing with the news of her death.
That’s because it was decided by Dr. Jessup—a decision backed up by Dr. Flynn—that because of Rachel’s previous contact with Mrs. Kellogg concerning Elizabeth’s guest privileges, she should be the one to make the call to the dead girl’s parents.
“It will be less of a shock,” Dr. Flynn assures everyone, “for the Kelloggs to hear the news from a familiar voice.”
Sarah is unceremoniously banished from the office once the decision is made, but Dr. Jessup asks me to stay.
“It’ll be a comfort to Rachel,” is what he says.
He clearly hasn’t seen Rachel in action in the cafeteria, cussing out the salad bar attendants for accidentally putting full-fat ranch dressing in the fat-free ranch dispenser, the way I had. Rachel is hardly the type who needs comforting.
But who am I to say anything?
The scene is excruciatingly sad, and by the time Rachel hangs up the phone, I have what feels like an oncoming migraine as well as an upset stomach.
Of course, it could be the eleven Jolly Ranchers and the bag of Fritos I’d had in lieu of lunch. But you never know.
These symptoms are made worse by Dr. Jessup. Chagrined by Dr. Allington’s remarks, the assistant vice president has thrown caution and New York City health codes to the wind, and is smoking energetically, his rear end resting against the edge of Rachel’s desk. No one offers to open a window. This is because our office windows are on the ground floor, and every time you open them, some wit walks up to them and yells, “Can I have fries with that?” into our office.
It is right then that it occurs to me that Rachel is finished with her phone calls, and that I am no longer needed to be a comfort to her. There is nothing more I can do to help.
So I stand up and say, “I’m going to go home now.”
Everyone looks at me. Fortunately Dr. Allington has long since departed, as he and his wife have a house in the Hamptons and they head out there every chance they get.
Except that today Mrs. Allington wouldn’t leave through the front door—not with the coroner’s van parked out there on the sidewalk, behind the fire engine. I had to turn off the alarm so she could leave by the emergency exit off the side of the cafeteria, the same door through which the security guards usher the Allingtons’ more prestigious guests—like the Schwarzeneggers—when they have dinner parties so that they don’t have to be bothered by any students.
The Allingtons’ only child, Christopher—a very good-looking guy in his late twenties, who wears a lot of Brooks Brothers, and is living in graduate student housing while attending the college’s law school—was behind the wheel of their forest green Mercedes when they finally left. Dr. Allington solicitously placed his wife in the backseat, their overnight bags in the trunk, then hopped into the front seat beside his son.
Christopher Allington peeled out so fast that people attending the street fair—oh yes. The street fair went on, in spite of the fire engine and coroner’s wagon—jumped up onto the sidewalk, thinking someone was trying to run them down.
I’ll tell you something: If the Allingtons were my parents, I’d have tried to run people down, too.
Dr. Flynn recovers from my announcement that I’m leaving before anybody else. He says, “Of course, Heather. You go on home. We don’t need Heather anymore, do we, Stan?”
Dr. Jessup exhales a stream of blue-gray smoke.
“Go home,” he says to me. “Have a drink. A big one.”
“Oh, Heather,” Rachel cries. She leaps up from her swivel chair and, to my surprise, throws her arms around me. She has never been physically demonstrative with me before. “Thank you so much for coming over. I don’t know what we would have done without you. You keep such a level head in a crisis.”
I have no idea what she’s talking about. I hadn’t done a single thing. I certainly hadn’t bought her those flowers Dr. Jessup had recommended. I’d calmed the student workers down, maybe, and talked Sarah out of having her dance, but that’s it, really. Not exactly anything life-saving.
I look everywhere but at anyone else’s face as Rachel hugs me. Hugging Rachel is a lot like hugging—well, a stick. Be cause she’s so thin. I sort of feel bad for her. Because who wants to hug a stick? I know all those guys who go after models do. But I mean, what kind of normal person wants to hug, or be hugged by, a lot of pointy bones? It would be one thing if she were naturally pointy. But I happen to know that Rachel starves herself in order to be that way on purpose.
It’s just not right.
To my relief, Rachel lets go almost immediately, and as soon as she does, I hurry from the office without another word, mostly because I am afraid I will start crying if I speak. Not because of her boniness, but because it all just seems like such a waste. I mean, a girl is dead, her parents devastated. And for what? A thrill ride on top of an elevator?
It just doesn’t make any sense.
Since the alarm to the fire exit is still turned off, I leave the building through it, relieved that I don’t have to pass the reception desk. Because I seriously think I might lose it if anyone says a single word to me. I have to walk all the way down to Sixth Avenue and around the block to avoid running into anyone I know—passing right by Banana Republic, which does carry size 12 clothing, but rarely has any in stock, because, being that it’s the most common size, they can never keep enough of it on the racks for everyone—but it’s worth it. I am in no shape for small talk with anyone.
Sadly, however, when I get to my front door, I discover that small talk is exactly what I’m in for. Because lounging on my front stoop is my ex-fiancé, Jordan Cartwright.
And I’d truly been convinced my day couldn’t get any worse.
He straightens when he sees me, and hangs up the cell phone he’d been jawing into. The late-afternoon sunlight brings out the gold highlights in his blond hair, and I can’t help noticing that in spite of the Indian summer heat, the lines pressed into his white shirt and—yes, I’m sorry to have to say it—matching white pants look perfectly crisp.
With the white outfit, and the gold chain around his neck, he looks like he’s AWOL from a really bad boy band.
Which, sadly, is exactly what he is.
“Heather,” he says, when he sees me.
I can’t read his pale blue eyes because they’re hidden by the lenses of his Armani sunglasses. But I suppose they are, as always, filled with tender concern for my well-being. Jordan is good at making people think he actually cares about them. It’s one of the reasons his first solo effort, “Baby, Be Mine,” went double platinum. The video was number one on Total Request Live for weeks.
“There you are,” he says. “I’ve been trying to reach you. I guess Coop’s not home. Are you all right? I came down as soon as I heard.”
I just blink at him. What is he doing here? We broke up. Doesn’t he remember?
Maybe not. He’d obviously been working out. Like majorly. There’s actual definition to his biceps.
Maybe a dumbbell fell on his head or something.
“She lived in your building, didn’t she?” he goes on. “The girl on the radio? The one who died?”
It is totally unfair that someone who looks so hot can be so… well, lacking in anything remotely resembling human emotion.
I dig my keys out of the front pocket of my jeans.
“You shouldn’t have come down here, Jordan,” I say. People are staring—mostly just the drug dealers, though. There are a lot of them in my neighborhood, because the college, in order to clean up Washington Square Park for the students (and, more importantly, their parents), puts all this pressure on the local police precinct to scoot all the drug dealers and homeless people out of the park and onto the surrounding streets… like, for instance, the one I live on.
Of course when I’d accepted Jordan’s brother’s offer to move in with him, I didn’t know the neighborhood was so bad. I mean, come on, it’s Greenwich Village, which had long ago ceased to be a haven for starving artists, after the yuppies moved in and gentrified the place and the rents shot sky high. I figured it had to be on par with Park Avenue, where I’d been living with Jordan, and where “those kind of people,” as Jordan calls them, simply don’t hang out.
Which is a good thing, because “those kind of people” apparently can’t take their eyes off Jordan—and not just because of the prominently displayed gold chain.
“Hey!” one of them yells. “You that guy? Hey, are you that guy?”
Jordan, used to being harassed by paparazzi, doesn’t bat an eye.
“Heather,” he says, in his most soothing tone, the one he’d used during his duet with Jessica Simpson on their Get Funky tour last summer. “Come on. Be reasonable. Just because things didn’t work out between us romantically is no reason why we can’t still be friends. We’ve been through so much together. Grew up together, even.”
This part, anyway, is true. I’d met Jordan back when I’d first been signed by his father’s record label, Cartwright Records, when I’d been an impressionable fifteen years of age, and Jordan had been all of eighteen. Back then, I’d truly believed Jordan’s whole tortured artist act. I’d believed him when he insisted that he, like me, hated the songs the label was giving him to sing. I’d believed him when he’d said he, like me, was going to quit singing them, and start singing the songs he’d written himself. I’d believed him right up to the point I’d told the label it was my songs or no songs, and the label had chosen no songs… and Jordan, instead of telling the label (also known as his dad) the same thing, had said, “Maybe we better talk about this, Heather.”
I glance around to make sure his current performance isn’t for the benefit of a hidden camera. I totally wouldn’t put it past him to have signed up with some reality show. He’s one of those people who wouldn’t mind watching his own life broadcast on national television.
That’s when I notice the silver convertible BMW parked by the hydrant in front of the brownstone.
“That’s new,” I say. “From your dad? A reward for taking up with Tania Trace?”
“Now, Heather,” Jordan says. “I told you. The thing with Tania—it’s not what you think.”
“Right,” I say with a laugh. “I suppose she fell down and just happened to land with her head in your crotch.”
Jordan does something surprising then. He whips off his sunglasses and looks down at me very intently. I’m reminded of the first time I ever met him—at the Mall of America. The label—namely Jordan’s dad—had arranged for Jordan’s band, Easy Street, and me to tour together, in an effort to bring out the maximum number of preteens—and their parents, and their parents’ wallets—possible.
