Meg Cabot - Size 12 Is Not Fat
Cooper’s surprisingly good, it turns out, at blending.
“So, you two going out yet?” Frank asks, out of the blue. “You and Cooper?”
“Frank!” Patty screams.
“No, Frank,” I say, for what has to be the three hundredth time this month alone.
“Frank,” Patty says. “Cooper and Heather are roommates. You can’t go out with your roommate. You know how that is. I mean, all the romance is gone once you’ve seen someone in their bathrobe. Right, Heather?”
I blink at her. I have never thought of this. What if Patty is right? Cooper is never going to think of me as date-worthy—even if I win a Nobel Prize in medicine. Because he’s seen me too many times in sweat pants! With no makeup!
Patty and Frank say their good-byes, then Indy and I stand and wave to them as they go down my front steps and climb back into their waiting limo. The drug dealers on my street watch from a respectful distance. They all worship Frank’s band. I am convinced that the reason Cooper’s house is never graffitied or robbed is because everyone in the neighborhood knows that we’re friends with the voice of the people, Frank Robillard, and so the place is off-limits.
Or maybe it’s because of the alarm and the bars on all the ground and first floor windows. Who knows?
Indy and I spend a pleasant evening watching Forensic Files and The New Detectives on the TV in my bedroom, where I’m able to keep an eye on both my best friend’s child and the back of Fischer Hall. Looking up at the tall brick building, with so many of its lights ablaze, I can’t help remembering what Magda had said—her joke about Elizabeth and Roberta ending it all over discovering that sex isn’t all it was cracked up to be. Bobby had been a virgin… at least according to her roommate. And it seemed likely that Elizabeth Kellogg had been one as well.
Is that it? Is that the link between the two girls? Is someone killing the virgins of Fischer Hall?
Or have I seen one too many episodes of CSI?
When Patty and Frank arrive to pick up their progeny just after midnight, I hand him over at the front door. He’d passed out during Crossing Jordan.
“How was he?” Patty asks.
“Perfect, as always,” I say.
“For you, maybe,” she says with a snort as she shifts the sleeping baby in her arms. Frank is waiting in the limo below. “You’re so good with him. You should have one of your own someday.”
“Twist the knife, why don’t you,” I say.
“I’m sorry,” Patty says. “I love having you sit for us, but you do realize you’ve never once said you couldn’t because you were busy? Heather, you’ve got to get back out there. Not just with your music, either. You’ve got to try to meet someone.”
“I meet plenty of people,” I say defensively.
“I mean someone who isn’t a freshman at New York College.”
“Yeah,” I say. “Well, it’s easy for you to criticize. You’ve got the perfect husband. You don’t know what it’s like in real life. You think Jordan was an anomaly? Patty, he’s the norm.”
“That isn’t true,” Patty says. “You’ll find someone. You just can’t be afraid to take a risk.”
What is she talking about? I do nothing but take risks. I’m trying to keep a psychopath from killing again. Isn’t that enough? I have to have a ring on my finger, too?
Some people are never satisfied.
12
I’m an undercover agent and I’m
Staking out your heart
Got my goggles with night vision and I’m
Staking out your heart
Oh
You better run
’Cuz when I’m done
You’ll be giving me
Your heart
“Staking Out Your Heart”
Performed by Heather Wells
Composed by O’Brien/Henke
From the album Staking Out Your Heart
Cartwright Records
No matter how much I try to shake it, the thought stays with me all weekend. The Virgins of Fischer Hall.
I know it sounds insane. But I just kept thinking about it.
Maybe Patty’s right, and the kids in the dorm—residence hall, I mean—are taking up the space in my heart where love for my own kids would be if, you know, I had any. Because I can’t stop worrying about them.
Not that there can be that many more virgins left in the building—which I happen to be in a position to know. Ever since I swapped the Hershey’s Kisses in the candy jar on my desk for individually wrapped Trojans, I’ve had kids stumbling down to my office at nine in the morning in their PJs—and if you don’t think nine in the morning is early by college standards, you’ve never been in college—unapologetically plucking them from the jar.
No embarrassment. No apologies. In fact, when I run out of Trojans, and the jar remains empty for a day or so until I get more from Health Services, let me tell you, I hear about it. The kids start in on me right away: “Hey! Where are the condoms? Are you out of condoms? What am I supposed to do now?”
Anyway, the upshot of it is, I pretty much know who is getting some in my building.
And let me tell you, it’s a lot of people. There aren’t a whole lot of virgins left in Fischer Hall.
But somehow, some guy had managed to find and kill two of them.
I couldn’t let any more girls die. But how was I going to stop it from happening again when I didn’t have any idea who the guy was? I didn’t get anywhere with the roster thing. There were three Marks and no Todds at all in the building, although there was one Tad. One of the three Marks in the building was black (he was a resident on Jessica’s floor—I called her to ask) and another Korean (I called his RA as well), which ruled them both out, since Lakeisha had been sure the guy was white. Tad was so obviously gay that I just stammered an apology and said I’d gotten the wrong number when he picked up the phone.
The third Mark had gone home for the weekend, according to his roommate, but would be back on Monday. But according to his RA, he was only five foot seven, hardly what you’d call tall.
I guess you could call the investigation—such as it was—stymied.
And with Cooper in absentia all weekend, it wasn’t like I could ask for his professional advice on the matter. I’m not sure if he was hiding from me, or busy working, or busy—well, doing something else. Since I moved in, Cooper hadn’t had a single overnight guest—which for him, at least if Jordan is to be believed, might be a record dry spell. But given how frequently he was gone from the townhouse for days at a time, I could only assume he was crashing at the home of his current flame—whoever she might be.
Which was typical of him. You know, not to rub it in my face that he’s getting some, while I’m most definitely not.
Still, I had a hard time appreciating his courteousness as the weekend wore on, and I was still no closer to figuring out who was killing the Virgins of Fischer Hall. If, um, anyone was.
Which might be why, when Monday morning finally rolls around, I’m the first one in the office, latte and bagel already ingested, deeply engrossed in Roberta Pace’s student file.
The file’s contents are remarkably similar to Elizabeth’s, although the two girls came from different sides of the country—Roberta was from Seattle. But they’d both had interfering mothers. Roberta’s mother had called Rachel to complain that Roberta needed a new roommate.
Which startles me. How could anyone not like Lakeisha?
But according to the “incident report”—one of which is filled out whenever a staff member has an interaction with a resident—when Rachel spoke to Roberta, it turned out to be Mrs. Pace, not her daughter, who had the problem with Lakeisha. “It’s not that I don’t like black people,” Mrs. Pace had told Rachel, according to the report. “I just don’t want my daughter to have to live with one.”
This is the kind of stuff, I’ve discovered, that people in higher ed have to deal with every day. The good thing is, usually it’s not the kids with the problem, but their parents. As soon as the parents go back home, everything ends up being okay.
The bad thing is—well, that people like Mrs. Pace exist at all.
I force myself to read on. According to the report, Rachel called Roberta down to the office and asked her if she wanted a room change, the way her mother said she did. Roberta said no, that she liked Lakeisha. Rachel reports that then she let Roberta go and called the mother back, gave her our standard speech in such cases—“Much of a college education takes part outside the classroom, where our students experience new cultures and ways of life. Here at New York College, we do everything we can to encourage cultural diversity awareness. Don’t you want your son/daughter to be able to get along with every sort of individual when he/she enters the workforce?”
Then Rachel told Mrs. Pace that her kid wasn’t getting a room change and hung up.
And that was it. That was the only thing in Roberta’s file. The only sign at all that she’d had any sort of trouble adjusting to college life.
Except, of course, that now Roberta is dead.
I hear the ding of an elevator, and then Rachel’s heels clacking on the marble floor outside our office. A second later, she appears in the doorway, a steaming mug of coffee that she’s brought down from her apartment in one hand, and the morning’s Times in the other. She looks startled to see me at my desk so early. Even though I live four minutes away from it, I’m almost always five minutes late to work.
“Oh my goodness,” Rachel says, looking pleased to see me. “Aren’t you here early! Did you have a nice weekend?”
“Yeah,” I say, closing Roberta’s file, and kind of sliding it under some other stuff on my desk.
Not that I don’t have every right to be reading it. It’s just that I feel kind of reluctant to tell Rachel what I suspect—about the girls being pushed, and all. I mean, technically, I probably should have said something about the key, or the condom, at least, or that both girls had recently met a guy…
But I can’t help wondering—what if Cooper is right? What if Elizabeth and Roberta really did fall, but I make this big stink about how I think they’d been murdered? Would Rachel mark down in my employment file that I suffer from paranoid delusions? Could something like that keep me from passing my six months’ probation? Could they fire me for it, the way they had Justine—even though I’d fully kept my hands off the ceramic heaters?
I’m not about to risk it. I decide to keep my suspicions to myself.
“Mostly,” I say, in reply to Rachel’s question about my weekend. Because, aside from calling about the Marks and Todds, I’d done nothing but walk Lucy, watch TV, and fiddle around with my guitar. Hardly anything worth reporting. “You?”
“Terrible,” Rachel says, shaking her head. Although for someone who’s had such a bad weekend, she looks really great. She has on a new suit, really well-cut. The black brings out the ivory in her skin, and makes her hair seem an even deeper chestnut. “Roberta’s parents came in,” Rachel goes on, “to pick up their daughter’s things. It was just a nightmare. They plan on suing, of course. Though on what grounds, I can’t imagine. Those poor people. I felt so sorry for them.”
