Эндрю Кин - Ничего личного: Как социальные сети, поисковые системы и спецслужбы используют наши персональные данные
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Kunal Dutta, «The Revolution That Killed Soho's Record Shops,» Independent, May 12, 2010.
340
Annie O'Shea, «Oasis (What's the Story) Morning Glory?» Radio Nova, January 14, 2014, nova.ie/albums/oasis-whats-the-story-morning-glory-3.
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Philip Beeching, «Why Companies Fail — the Rise and Fall of HMV,» Philipbeeching.com, August 6, 2012.
342
Alexander Wolfe, «Digital Pennies from Analog Dollars Are Web Content Conundrum,» InformationWeek, March 12, 2008.
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David Carr, «Free Music, at Least While It Lasts,» New York Times, June 8, 2014.
344
Grant Gross, «Pirate Sites Draw Huge Traffic,» Computerworld, January 1, 2013.
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«NetNames Piracy Analysis: Sizing the Piracy Universe 3,» September 2013.
346
IFPI Digital Music Report, 2011, «Music at the Touch of a Button,» p. 14.
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OFCOM, сравнительное исследование данных слежения за нарушениями авторских прав в Интернете, Q3 2012, 20 ноября 2012 г.
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David Goldman, «Music's Lost Decade: Sales Cut in Half in 2000s,» CNN Money, February 3, 2010.
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Derek Thompson, «Why Would Anybody Ever Buy Another Song?» Atlantic, March 17, 2014.
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Thair Shaikh, «HMV Closes Historic Oxford Street Store,» Independent, January 14, 2014.
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Dave Lee, «'Netflix for Piracy' Popcorn Time Saved by Fans,» BBC News, March 17, 2014.
352
Andrew Stewart, «Number of Frequent Young Moviegoers Plummets in 2013,» Variety, March 25, 2014.
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IFPI Digital Music Report, 2011, p. 5.
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TERA Consultants, «Building a Digital Economy: The Importance of Saving Jobs in the EU's Creative Industries,» International Chamber of Commerce/BASCAP, March 2010.
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«45 % Fewer Professional Working Musicians Since 2002,» Trichordist, May 21, 2013.
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Выводы о разрушительном влиянии онлайнового пиратства на творческие отрасли см. в моем экспертном докладе «Profiting from Free: The Scourge of Online Piracy and How Industry Can Help» (ICOMP, October 2013). Данные некоторых исследований, проведенных мной для доклада, были использованы и в этой книге.
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Ananth Baliga, «Pirate Websites Roped in $227 Million in Ad Revenues in 2013,» UPI, February 18, 2014.
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Duncan Grieve, «Kim Dotcom: 'I'm Not a Pirate, I'm an Innovator,'» Guardian, January 14, 2014.
359
Robert Levine, Free Ride: How Digital Parasites Are Destroying the Culture Business and How the Culture Business Can Fight Back (New York: Doubleday, 2011), p. 4.
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Robert Levine, Free Ride: How Digital Parasites Are Destroying the Culture Business and How the Culture Business Can Fight Back (New York: Doubleday, 2011), p. 13.
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«Know Your Rights on Social Media — Legal Considerations and More,» American Society of Media Photographers, 2013.
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«Understanding the Role of Search in Online Piracy,» Millward Brown Digital, September 2013.
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«comScore Releases March 2014 U. S. Search Engine Rankings,»comScore.com, April 15, 2014.
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«comScore Releases '2013 UK Digital Future in Focus Report,'»comScore.com, February 14, 2013.
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Josh Holiday, «Google Pledge to Downgrade Piracy Sites Under Review,» Guardian, November 5, 2012.
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See Glenn Peoples, «RIAA Report Criticizes Google's Efforts to Limit Infringing Search Results,» Billboard, February 21, 2013. Also Glenn Peoples, «Business Matters: MP3 Stores Harder to Find as Google Search Removal Requests Accumulate,» Billboard, February 4, 2013.
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Andrew Albanese, «Artists and Photographers Sue Over Google Book Search,» Publishers Weekly, April 7, 2010.
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Erik Kirschbaum, «Merkel Criticizes Google for Copyright Infringement,» Reuters, October 10, 2009.
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Stuart Dredge and Dominic Rushe, «YouTube to Block Indie Labels Who Don't Sign Up to New Music Service,» Guardian, June 17, 2014.
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Leslie Kaufman, «Chasing Their Star, on YouTube,» New York Times, February 1, 2014.
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Jason Calacanis, «I Ain't Gonna Work on YouTube's Farm No More,» Launch, June 2, 2013.
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Carr, «Free Music, at Least While It Lasts.»
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Michael Wolff, «New Cash, New Questions for Business Insider,» USA Today, March 16, 2014.
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Levine, Free Ride, p. 4.
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Levine, Free Ride, p. 113.
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Henry Mance, «Trust-Fund Newspaper? Not Us,» Financial Times, March 7, 2014. See also Ravi Somaiya, "Guardian to Make Management Changes," New York Times, March 6, 2014.
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Lucia Moses, "The Guardian's Robot Newspaper Comes to the U.S.," Digiday, April 13, 2014.
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Tom Kutsch, «The Blurred Lines of Native Advertising,» Al Jazeera America, March 8, 2014.
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Alan D. Mutter, «The Newspaper Crisis, by the Numbers,» Newsosaur.blogspot.com, July 16, 2014.
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Monica Anderson, «At Newspapers, Photographers Feel the Brunt of Job Cuts,» Pew Research Center, November 11, 2013.
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Lawrie Zion, «New Beats: Where Do Redundant Journalists Go?» TheConversation.com, December 1, 2013.
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Rachel Bartlett, «A Quarter of Spanish Journalists Made Redundant Since the Recession, Suggests Report,» Journalism.co.uk, December 15, 2010.
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Andres Cala, «Spain's Economic Crisis Has an Unexpected Victim: Journalism,» Christian Science Monitor, February 28, 2013.
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Clay Shirky, «Last Call: The End of the Printed Newspaper,» Medium.com, August 21, 2014.
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Rory Carroll, «Silicon Valley's Culture of Failure… and 'the Walking Dead' It Leaves Behind,» Guardian, June 28, 2014.
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Alyson Shontell, «$4 Billion Is the New $1 Billion in Startups,» Business Insider, November 13, 2013.
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Joshua Brustein, «Spotify Hits 10 Million Paid Users. Now Can It Make Money?» Bloomberg Businessweek, May 21, 2014.
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David Byrne, «The Internet Will Suck All Creative Content Out of the World,» Guardian, October 11, 2013.
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Charles Arthur, «Thom Yorke Blasts Spotify on Twitter as He Pulls His Music,» Guardian, July 15, 2013.
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Paul Resnikoff, «16 Artists That Are Now Speaking Out Against Streaming,» Digital Music News, February 2, 2013.
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Ellen Shipley, «My Song Was Played 3.1 Million Times on Pandora. My Check Was $39,» Digital Music News, July 29, 2013.
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David Carr, «A New Model for Music: Big Bands, Big Brands,» New York Times, March 16, 2014.
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David Carr, «A New Model for Music: Big Bands, Big Brands,» New York Times, March 16, 2014.
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David Carr, «A New Model for Music: Big Bands, Big Brands,» New York Times, March 16, 2014.
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TERA Consultants, «Building a Digital Economy: The Importance of Saving Jobs in the EU's Creative Industries.»
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European Observatory on Infringements of Intellectual Property Rights, «Intellectual Property Rights Intensive Industries: Contribution to Economic Performance and Employment in the European Union,» September 2013, p. 6.
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Motion Picture Association of America, «2011 Economic Contribution of the Motion Picture and Television Industry to the United States.»
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Michael Cass, «Commerce Secretary Gives Music Row Some Good News,» Tennessean, August 7, 2013.
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Keen, The Cult of the Amateur, p. 113.
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Packer, «Celebrating Inequality.»
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Heather Havrilesky, «794 Ways in Which Buzzfeed Reminds Us of Impending Death,» New York Times, July 3, 2014.
402
Anita Elberse, Blockbusters: Hit-Making, Risk-Taking and the Big Business of Entertainment (New York: Henry Holt, 2013), p. 11.
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Robert H. Frank, «Winners Take All, but Can't We Still Dream?» New York Times, February 22, 2014.
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Elberse, Blockbusters, p. 160.
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«The Death of the Long Tail,» MusicIndustryBlog, March 4, 2014.
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Helienne Lindvall, «The 1 Percent: Income Inequality Has Never Been Worse Among Touring Musicians,» Guardian, July 5, 2013.
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John Gapper, «The Superstar Still Reigns Supreme over Publishing,» Financial Times, July 17, 2013.
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Alison Flood, «Most Writers Earn Less Than L600 a Year, Survey Reveals,» Guardian, January 17, 2014.
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Colin Robinson, «The Loneliness of the Long-Distance Reader,» New York Times, January 4, 2014.
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Amanda Ripley, The Smartest Kids in the World (New York: Simon & Schuster, 2013), pp. 169–70.
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Tamar Lewin, «Professors at San Jose State Criticize Online Courses,» New York Times, May 2, 2013.
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Ki Mae Heussner, «'Star' Coursera Prof Stops Teaching Online Course in Objection to MOOCs,» GigaOm, September 3, 2013.
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William Deresiewicz, Excellent Sheep: The Miseducation of the American Elite (New York: Simon & Schuster, 2014), p. 186.
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Jessica McKenzie, «More Evidence That MOOCs Are Not Great Equalizers,» Techpresident.com, March 17, 2014.