От Рафаэля до Кавалера д’Арпино. Устройство римских живописных мастерских XVI века - Лубникова Мария Владимировна

Shearman J., White J. Raphael’s Tapestries and their Cartoons // The Art Bulletin. 1958. Vol. 40. № 3. P. 193–221.

Simons P. Portraiture and Patronage in Quattrocento Florence with Special Reference to the Tornaquinci and their Chapel in Santa Maria Novella. University of Melbourne, 1985.

Smyth C. H. Mannerism and Maniera. New York: J. J. Augustin, 1962.

Stillinger J. Multiple Authorship and the Myth of Solitary Genius. New York, Oxford: Oxford University Press. 1991.

Stinger Ch. The Renaissance in Rome. Bloomington: Indiana University Press, 1985.

Strinati C. Sebastiano del Piombo e Rinascimento a Roma // Sebastiano del Piombo. 1485–1547 / Ed. F. Motta. Roma: Federico Motta, 2008. P. 15–23.

Strunk Ch. The Original Setting of the Early Life of Taddeo Series. A New Reading of the Pictorial Program in the Palazzo Zuccari, Rome // Taddeo and Federico Zuccaro. Artist-brothers in Renaissance Rome / Ed. J. Brooks. Los Angeles: Los Angeles: The Paul Getty Museum, 2007. P. 113–125.

Studying Old Master Paintings: Technology and Practice. The National Gallery Technical Bulletin 30^th Anniversary Conference Postprints / Ed. M. Spring. London: Archetype Publications, 2011.

Symonds J. A. The Life of Michelangelo Buonarroti: Based on Studies in The Archives of the Buonarroti Family in Florence. London: John C. Nimmo, 1893. — 2 vols.

Taddeo and Federico Zuccaro. Artist-brothers in Renaissance Rome / Ed. J. Brooks. Los Angeles: The Paul Getty Museum, 2007.

Talvacchia B. Raphael’s Workshop and the Development of a Managerial Style // The Cambridge Companion to Raphael / Ed. M. Hall. Cambridge: Cambridge University Press, 2005. P. 167–185.

Temple N. Renovatio Urbis: Architecture, Urbanism, and Ceremony in the Rome of Julius II. The Classical Tradition in Architecture. London: Routledge, 2011.

Teodoro F. P. di. The Letter to Leo X // Raphael 1520–1483. Milano: Skira editore S.p.A., 2020. P. 69–77.

The Craft of Art: Originality and Industry in the Italian Renaissance and Baroque Workshop / Ed. A. Ladis. Athens, London: University of Georgia Press, 1995.

The Material Renaissance / Eds. M. O’Malley, E. Welch. Manchester: Manchester University Press, 2007.

Thomas A. J. The Painter’s Practice in Renaissance Tuscany. Cambridge: Cambridge University Press, 1997.

Tolnay Ch. The Youth of Michelangelo. Princeton: Princeton University Press, 1943.

Tolnay Ch. The Tomb of Julius II. Princeton: Princeton University Press, 1954.

Tolnay Ch. Michelangelo. Sculptor, Painter, Architect. Princeton: Princeton University Press, 1975.

Tolnay Ch. Corpus dei disegni di Michelangelo. Novara: De Agostini, 1975–1980. — 4 vols.

Tosini P. Girolamo Muziano 1532–1592: dalla maniera alla natura. Roma: Ugo Bozzi, 2008.

Tosini P. Esercizi accademici: pratica artistica e modelli antiquari nella pittura di Girolamo Muziano // L’Accademia riflette sulla sua storia. Perugia: Futura, 2011. P. 173–188.

Treves L. Daniele da Volterra and Michelangelo: A Collaborative Relationship // Apollo. 2001. № 154. P. 36–45.

Turner N. An Attack on the Accademia di S. Luca: Ludovico David’ s L’Amore dell’ Arte // British Museum Yearbook. 1976 Vol. 1. P. 157–186.

Van Marle R. The Development of the Italian Schools of Painting. 1923–1938. Leiden: Martinus Nijhoff. — 19 vols.

Vanturini L. Modelli fortanati e produzione di serie // Maestri e botteghe: pittura a Firenze alla fine del Quattrocento / Ed. M. Gregori, A. Paolucci. Firenze: Silvana, 1992. P. 147–164.

Varoli-Piazza R. Il fregio della Sala delle Prospettive: un’ipotesi per la bottega del Peruzzi // Baldassarre Peruzzi. Pittura, Scena, Architettura nel Cinquecento. Roma: Istituto della Enciclopedia italiana, 1987. P. 363–398.

Ventury A. Storia dell’arte italiana. Milano: Ulrico Hoepli, 1901–1940. — 21 vols.

Verstegen I. Barocci, Cartoons, and the Workshop: A Mechanical Means for Satisfying Demand // Notizie da Palazzo Albani. 2007. № 34/35. P. 101–123.

Wackernagel M. Der Lebensraum des Künstlers in der florentinischen Renaissance. Aufgaben und Auftraggeber, Werkstatt und Kunstmarkt. Leipzig: E. A. Seemann, 1938.

Waga H. Vita nota e ignota die Virtuosi al Pantheon: contributi alla storia della Pontificia Accademia Artistica dei Virtuosi al Pantheon. Roma: Arte della stampa, 1992.

Wallace W. E. Michelangelo’s Assistants in the Sistine Chapel // Gazette des Beaux-Arts. 1987. № 110. P. 203–216.

Wallace W. E. Instruction and Originality in Michelangelo’s Drawings // The Craft of Art: Originality and Industry in the Italian Renaissance and Baroque Workshop / Ed. A. Ladis. Athens: University of Georgia Press, 1995. P. 113–133.

Wallace W. E. Michelangelo Admires Marcello Venusti … and Antiquity // Ashes to Ashes: Art in Rome Between Humanism and Maniera. Roma: Edizioni dell’Ateneo, 2006. P. 125–155.

Wallace W. E. Michelangelo: The Artist, the Man, and His Times. Cambridge; New York: Cambridge University Press, 2010.

Waźbiński Z. L’Accademia Medicea del Disegno a Firenze nel ’500. Idea e istituzione. Firenze: L. S. Olschki, 1987. — 2 vols.

Weiss R. The Renaissance Discovery of Classical Antiquity. Oxford: Basil Blackwell, 1969.

Wilde J. Michelangelo and his Studio. Italian Drawings in the Department of Prints and Drawings in the British Museum. London: British Museum Publications, 1953.

Wilde J. Cartonetti by Michelangelo // The Burlington Magazine. 1959. Vol. 101. № 680. P. 370–381.

Wilde J. Michelangelo. Six Lectures. Oxford: Oxford University Press, 1978.

Williams R. Raphael and the Redefinition of Art in Renaissance Italy. Cambridge: Cambridge University Press, 2017.

Wittkower R., Wittkower M. Born under Saturn: The Character and Conduct of Artists. London: Weidenfeld & Nicolson, 1963.

Wolfram P. Dal vero o dal modello? Appunti e testimonianze sull’uso dei manichini nella pittura del Quattrocento // Scritti di storia dell’arte in onore di Ugo Procacci. Milano: Electa, 1977. Vol. I. P. 200–208.

Wolk-Simon L. Reviewed Work: Perin del Vaga, l’anello mancante: Studi sul manierismo by Elena Parma Armani // The Art Bulletin. 1989. № 71. P. 515–523.

Wolk-Simon L. Raphael Drawings, Pro-Contra // The Cambridge Companion to Raphael / Ed. M. Hall. Cambridge: Cambridge University Press, 2005. P. 207–223.

Wolk-Simon L. Competition, Collaboration, and Specialization in the Roman Art World, 1520–1527 // The Pontificate of Clement VII: History, Politics, Culture / Ed. K. Gouwens, S. Reiss. Aldershot: Ashgate, 2005. P. 253–274.

Würtenberger F. Der Manierismus: Der europäische Stil des sechzehnten Jahrhunderts. Wien, München: Schroll, 1962.

Zuccari A. I pittori di Sisto V. Roma: Fratelli Palombi, 1992.

Zuccari A. Cesare Nebbia tra Orvieto, Roma e Viterbo // L’età di Michelangelo e la Tuscia. Viterbo: Beta Gamma, 2007. P. 71–86.

Аверлино А. Филарете. Трактат об архитектуре [1972] / Пер. В. Л. Глазычева. М.: Русский университет, 1999.

Альберти Л. Б. Десять книг о зодчестве. [1435, 1485] / Пер. А. Г. Габричевского. М.: Изд‑во Всесоюзной академии архитектуры, 1935–1937.

Вазари Дж. Жизнеописания наиболее знаменитых живописцев, ваятелей и зодчих [1560, 1568] / Пер. А. Г. Габричевского и А. И. Венедиктова. М.: Альфа-книга, 2017.

Дюрер А. Трактаты [1525, 1538] / Пер. Ц. Г. Нессельштраус. М.: Изд‑во Студии Артемия Лебедева, 2011.

Мандер К. Книга о художниках [1604] / Пер. В. М. Минорского. СПб.: Азбука-классика, 2007.