Anthony Trollope - Autobiography of Anthony Trollope
his own actions? In what country have grander efforts been made by
private munificence to relieve the sufferings of humanity? Where
can the English traveller find any more anxious to assist him than
the normal American, when once the American shall have found the
Englishman to be neither sullen nor fastidious? Who, lastly, is
so much an object of heart-felt admiration of the American man and
the American woman as the well-mannered and well-educated Englishwoman
or Englishman? These are the ideas which I say spring uppermost
in the minds of the unprejudiced English traveller as he makes
acquaintance with these near relatives. Then he becomes cognisant
of their official doings, of their politics, of their municipal
scandals, of their great ring-robberies, of their lobbyings and
briberies, and the infinite baseness of their public life. There
at the top of everything he finds the very men who are the least
fit to occupy high places. American public dishonesty is so glaring
that the very friends he has made in the country are not slow
to acknowledge it,--speaking of public life as a thing apart from
their own existence, as a state of dirt in which it would be an
insult to suppose that they are concerned! In the midst of it all
the stranger, who sees so much that he hates and so much that he
loves, hardly knows how to express himself.
"It is not enough that you are personally clean," he says, with
what energy and courage he can command,--"not enough though the
clean outnumber the foul as greatly as those gifted with eyesight
outnumber the blind, if you that can see allow the blind to lead
you. It is not by the private lives of the millions that the outside
world will judge you, but by the public career of those units whose
venality is allowed to debase the name of your country. There never
was plainer proof given than is given here, that it is the duty of
every honest citizen to look after the honour of his State."
Personally, I have to own that I have met Americans,--men, but more
frequently women,--who have in all respects come up to my ideas of
what men and women should be: energetic, having opinions of their
own, quick in speech, with some dash of sarcasm at their command,
always intelligent, sweet to look at (I speak of the women), fond
of pleasure, and each with a personality of his or her own which
makes no effort necessary on my own part in remembering the difference
between Mrs. Walker and Mrs. Green, or between Mr. Smith and Mr.
Johnson. They have faults. They are self-conscious, and are too
prone to prove by ill-concealed struggles that they are as good as
you,--whereas you perhaps have been long acknowledging to yourself
that they are much better. And there is sometimes a pretence at
personal dignity among those who think themselves to have risen
high in the world which is deliciously ludicrous. I remember two
old gentlemen,--the owners of names which stand deservedly high
in public estimation,--whose deportment at a public funeral turned
the occasion into one for irresistible comedy. They are suspicious
at first, and fearful of themselves. They lack that simplicity of
manners which with us has become a habit from our childhood. But
they are never fools, and I think that they are seldom ill-natured.
There is a woman, of whom not to speak in a work purporting to be
a memoir of my own life would be to omit all allusion to one of
the chief pleasures which has graced my later years. In the last
fifteen years she has been, out of my family, my most chosen friend.
She is a ray of light to me, from which I can always strike a spark
by thinking of her. I do not know that I should please her or do
any good by naming her. But not to allude to her in these pages
would amount almost to a falsehood. I could not write truly of
myself without saying that such a friend had been vouchsafed to me.
I trust she may live to read the words I have now written, and to
wipe away a tear as she thinks of my feeling while I write them.
I was absent on this occasion something over three months, and
on my return I went back with energy to my work at the St. Paul's
Magazine. The first novel in it from my own pen was called Phineas
Finn, in which I commenced a series of semi-political tales. As I
was debarred from expressing my opinions in the House of Commons,
I took this method of declaring myself. And as I could not take my
seat on those benches where I might possibly have been shone upon
by the Speaker's eye, I had humbly to crave his permission for a
seat in the gallery, so that I might thus become conversant with
the ways and doings of the House in which some of my scenes were
to be placed. The Speaker was very gracious, and gave me a running
order for, I think, a couple of months. It was enough, at any rate,
to enable me often to be very tired,--and, as I have been assured
by members, to talk of the proceedings almost as well as though
Fortune had enabled me to fall asleep within the House itself.
In writing Phineas Finn, and also some other novels which followed
it, I was conscious that I could not make a tale pleasing chiefly,
or perhaps in any part, by politics. If I write politics for my
own sake, I must put in love and intrigue, social incidents, with
perhaps a dash of sport, for the benefit of my readers. In this
way I think I made my political hero interesting. It was certainly
a blunder to take him from Ireland--into which I was led by the
circumstance that I created the scheme of the book during a visit
to Ireland. There was nothing to be gained by the peculiarity, and
there was an added difficulty in obtaining sympathy and affection
for a politician belonging to a nationality whose politics are not
respected in England. But in spite of this Phineas succeeded. It
was not a brilliant success,--because men and women not conversant
with political matters could not care much for a hero who spent
so much of his time either in the House of Commons or in a public
office. But the men who would have lived with Phineas Finn read the
book, and the women who would have lived with Lady Laura Standish
read it also. As this was what I had intended, I was contented. It
is all fairly good except the ending,--as to which till I got to
it I made no provision. As I fully intended to bring my hero again
into the world, I was wrong to marry him to a simple pretty Irish
girl, who could only be felt as an encumbrance on such return. When
he did return I had no alternative but to kill the simple pretty
Irish girl, which was an unpleasant and awkward necessity.
In writing Phineas Finn I had constantly before me the necessity
of progression in character,--of marking the changes in men and
women which would naturally be produced by the lapse of years. In
most novels the writer can have no such duty, as the period occupied
is not long enough to allow of the change of which I speak. In
Ivanhoe, all the incidents of which are included in less than a
month, the characters should be, as they are, consistent throughout.
Novelists who have undertaken to write the life of a hero or heroine
have generally considered their work completed at the interesting
period of marriage, and have contented themselves with the advance
in taste and manners which are common to all boys and girls as
they become men and women. Fielding, no doubt, did more than this
in Tom Jones, which is one of the greatest novels in the English
language, for there he has shown how a noble and sanguine nature
may fall away under temptation and be again strengthened and made
to stand upright. But I do not think that novelists have often
set before themselves the state of progressive change,--nor should
I have done it, had I not found myself so frequently allured back
to my old friends. So much of my inner life was passed in their
company, that I was continually asking myself how this woman would
act when this or that event had passed over her head, or how that
man would carry himself when his youth had become manhood, or
his manhood declined to old age. It was in regard to the old Duke
of Omnium, of his nephew and heir, and of his heir's wife, Lady
Glencora, that I was anxious to carry out this idea; but others added
themselves to my mind as I went on, and I got round me a circle of
persons as to whom I knew not only their present characters, but
how those characters were to be affected by years and circumstances.
The happy motherly life of Violet Effingham, which was due to the
girl's honest but long-restrained love; the tragic misery of Lady
Laura, which was equally due to the sale she made of herself in her
wretched marriage; and the long suffering but final success of the
hero, of which he had deserved the first by his vanity, and the
last by his constant honesty, had been foreshadowed to me from
the first. As to the incidents of the story, the circumstances by
which these personages were to be affected, I knew nothing. They
were created for the most part as they were described. I never
could arrange a set of events before me. But the evil and the good
of my puppets, and how the evil would always lead to evil, and the
good produce good,--that was clear to me as the stars on a summer
night.
Lady Laura Standish is the best character in Phineas Finn and its
sequel Phineas Redux,--of which I will speak here together. They
are, in fact, but one novel though they were brought out at a
considerable interval of time and in different form. The first was
commenced in the St. Paul's Magazine in 1867, and the other was
brought out in the Graphic in 1873. In this there was much bad
arrangement, as I had no right to expect that novel readers would
remember the characters of a story after an interval of six years,
or that any little interest which might have been taken in the
career of my hero could then have been renewed. I do not know that
such interest was renewed. But I found that the sequel enjoyed the
same popularity as the former part, and among the same class of
readers. Phineas, and Lady Laura, and Lady Chiltern--as Violet
had become--and the old duke,--whom I killed gracefully, and the
new duke, and the young duchess, either kept their old friends or
made new friends for themselves. Phineas Finn, I certainly think,
was successful from first to last. I am aware, however, that there
